The Art of Wartime Propaganda: Chen Lin's Xi Written on Behalf of Yuan Shao and Cao Cao

IF 0.3 4区 社会学 0 ASIAN STUDIES
M. Goh
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引用次数: 0

Abstract

By the second and the third century in China, the strategic employment of refined literary language as a form of propaganda was highly sophisticated. The men at the center of the power struggles of the day competed not only by building armies and weapons, but also by availing themselves to rich arsenals of linguistic and rhetorical tools, which they deployed to help their own causes. While certainly different from modern forms of political propaganda, the propagandistic writings of the third century not only remind us that propaganda has a very long and old history, but also shed important light on how propaganda functioned at a specific historical moment. Focusing on the wartime proclamations—called xi 檄—attributed to Chen Lin 陳琳 (d. 217), this article raises the question of what aspects of war—assuming they were meant to aid war—these compositions were helping. Highlighting their aesthetic intricacy, it also questions why literary artistry mattered in the political environment of the time.
战时宣传的艺术:陈林为袁绍、曹操所写的《希》
到了公元二世纪和三世纪,在中国,巧妙地使用精致的文学语言作为一种宣传形式已经非常成熟。当时处于权力斗争中心的人们不仅通过建立军队和武器来竞争,而且还通过利用丰富的语言和修辞工具来竞争,他们利用这些工具来帮助自己的事业。虽然肯定不同于现代形式的政治宣传,但三世纪的宣传著作不仅提醒我们,宣传有着悠久而古老的历史,而且对宣传在特定历史时刻的运作方式也有重要的启示。这篇文章关注的是陈林衍衍(公元217年)所写的战时宣言(称为xi檄),提出了一个问题,即战争的哪些方面——假设它们是为了帮助战争——这些作品是有帮助的。它突出了他们审美的复杂性,也质疑为什么文学艺术在当时的政治环境中如此重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Early Medieval China
Early Medieval China ASIAN STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
8
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