Pentecostal Mysticism and African American Hymnody: A Study of Willie Mae Ford Smith

IF 0.3 0 RELIGION
Josiah Baker
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引用次数: 0

Abstract

ABSTRACT Despite the growing interest in Pentecostal mysticism, scholarship has devoted little attention to the prominence of music in the spirituality of the tradition. I examine a Pentecostal musician and one of her songs to demonstrate how mystical sensibilities are fostered in the Pentecostal community. Willie Mae Ford Smith’s musical style, at home in the Pentecostal church, allowed her to express mystical themes within her performances. The examined song, “If Jesus Had To Pray (What About Me),” is a meditation on Christ’s agony in the garden of Gethsemane, whereby listeners join their sufferings with his. The song illustrates the role of music in Pentecostal mysticism and expands the field in two further ways. Pentecostal spirituality’s Christocentric dynamic is highlighted against the backdrop of the field’s focus thus far on pneumatology. Additionally, the existence of an appreciation of suffering in Pentecostal mysticism is confirmed in contradistinction to prior claims.
五旬节神秘主义与非裔美国人Hymnody——对Willie Mae Ford-Smith的研究
尽管人们对五旬节神秘主义越来越感兴趣,但学术界很少关注音乐在传统灵性中的突出地位。我研究了一位五旬节派音乐家和她的一首歌曲,以展示五旬节派社区是如何培养神秘情感的。威利·梅·福特·史密斯的音乐风格,在家里的五旬节派教堂,允许她在她的表演中表达神秘的主题。这首经过检验的歌曲《如果耶稣不得不祈祷(关于我的事)》,是对基督在客西马尼园的痛苦的沉思,听众将他们的痛苦与他的痛苦结合在一起。这首歌阐明了音乐在五旬节神秘主义中的作用,并从两个方面进一步扩展了这一领域。五旬节派灵性的基督为中心的动态是突出对该领域的焦点到目前为止在气候学的背景下。此外,在五旬节神秘主义的痛苦的欣赏的存在被证实在对比先前的主张。
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来源期刊
BLACK THEOLOGY
BLACK THEOLOGY RELIGION-
CiteScore
0.60
自引率
50.00%
发文量
26
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