{"title":"Totius and the imagery of doom and imperial destruction","authors":"S. Sharland","doi":"10.7445/62-2-977","DOIUrl":null,"url":null,"abstract":"The South African poet J D du Toit, popularly known as Totius (1877-1953), published collections of personal, religious and political poetry, inspired by the struggles of the Afrikaner people after the South African War or Second Boer War (1899-1902). Although the poet enjoyed a Classical education, firstly as a child at a German mission school, and subsequently in his Theological studies, Classical influence on Totius’ work has not been considered to date. This article investigates two poems for their possible Classical precedents. In the first, Totius considers but ultimately rejects the idea of the river Lethe as a way of forgetting his personal tragedies. In the second, he compares the disaster the Afrikaners experienced in the South African War to a roadside thorn-tree that is destroyed by a passing ox-wagon, here representing British imperialism. This may have a precedent in the destruction of the flower cut down by a plough at the edge of the meadow (Catullus 11.21-24), the political dimensions of which coincide with Totius’ anti-imperialist sentiments. Although the Biblical, Christian paradigm is dominant in Totius’ writing, this article suggests that the Classical world was an alternative source of inspiration for this poet.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"62 1","pages":"55"},"PeriodicalIF":0.1000,"publicationDate":"2018-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Akroterion-Journal for the Classics in South Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7445/62-2-977","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 0
Abstract
The South African poet J D du Toit, popularly known as Totius (1877-1953), published collections of personal, religious and political poetry, inspired by the struggles of the Afrikaner people after the South African War or Second Boer War (1899-1902). Although the poet enjoyed a Classical education, firstly as a child at a German mission school, and subsequently in his Theological studies, Classical influence on Totius’ work has not been considered to date. This article investigates two poems for their possible Classical precedents. In the first, Totius considers but ultimately rejects the idea of the river Lethe as a way of forgetting his personal tragedies. In the second, he compares the disaster the Afrikaners experienced in the South African War to a roadside thorn-tree that is destroyed by a passing ox-wagon, here representing British imperialism. This may have a precedent in the destruction of the flower cut down by a plough at the edge of the meadow (Catullus 11.21-24), the political dimensions of which coincide with Totius’ anti-imperialist sentiments. Although the Biblical, Christian paradigm is dominant in Totius’ writing, this article suggests that the Classical world was an alternative source of inspiration for this poet.
南非诗人J D du Toit,通常被称为Totius(1877-1953),出版了个人、宗教和政治诗歌集,灵感来自南非战争或第二次布尔战争(1899-1902)后南非白人的斗争。尽管这位诗人从小在德国教会学校接受古典教育,后来又进行神学研究,但迄今为止,人们还没有考虑到古典主义对托提乌斯作品的影响。本文考察了两首诗的可能的古典先例。在第一部中,托提乌斯认为但最终拒绝了莱特河是一种忘记个人悲剧的方式。在第二章中,他将南非战争中南非白人所经历的灾难比作一棵路边荆棘树,被一辆路过的牛车摧毁,在这里代表着英国帝国主义。这可能是在草地边缘用犁割下的花朵被毁坏的先例(Catullus 11.21-24),其政治层面与托提乌斯的反帝国主义情绪相吻合。尽管《圣经》和基督教的范式在托提乌斯的写作中占主导地位,但这篇文章表明,古典世界是这位诗人的另一个灵感来源。