Discovering Animation Manuals: Their Place and Role in the History of Animation

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
Coralie Lamotte
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引用次数: 1

Abstract

This article explores the history of animation manuals in the United States from the 1940s to the present. It argues that this history can be divided into three major periods that correspond to changes in technique, profession and industry. From the post-War period until the 1980s, manuals reflected the hegemony of hand-drawn animation, closely bound to studio production and an apprenticeship training system. At the end of the 1970s, the rise of computer animation led to a new type of guidebook, addressing a growing convergence of computational training and new requirements introduced by the animation industry. Finally, since the turn of the century, manuals have sought to combine hand-drawn skills with digital tools, re-negotiating tradition and novelty in a diversified professional environment. Therefore, manuals are situated at a changing nexus of professional identity and training, techniques and technology, aesthetics and modes of production. In this article, the author argues that their integration within the history of animation will prove beneficial to researchers. Nevertheless, manuals are not innocent sources, but reflect discursive positions that shape the very history in which they take part.
发现动画手册:它们在动画历史中的地位和作用
本文探讨了从20世纪40年代到现在的美国动画手册的历史。它认为,这段历史可以分为三个主要时期,分别对应于技术、专业和工业的变化。从战后到20世纪80年代,手册反映了手绘动画的霸权,与工作室制作和学徒培训制度紧密相连。在20世纪70年代末,计算机动画的兴起导致了一种新型的指南,解决了计算训练和动画行业引入的新要求的日益融合。最后,自世纪之交以来,手册一直寻求将手绘技能与数字工具相结合,在多元化的专业环境中重新谈判传统和新颖性。因此,手册处于不断变化的专业身份和培训、技术和技术、美学和生产方式的联系之中。在这篇文章中,作者认为它们在动画历史中的整合将证明对研究者是有益的。然而,手册并不是无辜的来源,而是反映了话语立场,塑造了它们所参与的历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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