{"title":"Reading oil (back) into media history: The case of postwar television","authors":"Kyle Conway","doi":"10.1177/13678779221129295","DOIUrl":null,"url":null,"abstract":"This article extends recent research about the material impact of energy-consuming media technologies by describing the role of oil and its derivatives in the production and consumption of television in the United States after the Second World War. It starts by exploring reasons why the material dimensions of oil have received limited scholarly attention in media history. Then it examines television by describing how the component parts of a TV receiver—the cathode ray tube, the chassis into which it was set, and the cabinet housing the chassis—incorporated elements made with oil. Finally, interpreting prior historiography through the lens of oil, it describes the role these different components played in conflicting discourses about the space of the home, especially the living room, in postwar America.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"410 - 426"},"PeriodicalIF":1.5000,"publicationDate":"2022-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13678779221129295","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This article extends recent research about the material impact of energy-consuming media technologies by describing the role of oil and its derivatives in the production and consumption of television in the United States after the Second World War. It starts by exploring reasons why the material dimensions of oil have received limited scholarly attention in media history. Then it examines television by describing how the component parts of a TV receiver—the cathode ray tube, the chassis into which it was set, and the cabinet housing the chassis—incorporated elements made with oil. Finally, interpreting prior historiography through the lens of oil, it describes the role these different components played in conflicting discourses about the space of the home, especially the living room, in postwar America.
期刊介绍:
International Journal of Cultural Studies is committed to rethinking cultural practices, processes, texts and infrastructures beyond traditional national frameworks and regional biases. The journal publishes theoretical, empirical and historical analyses that interrogate what culture means, and what culture does, across global and local scales of power and action, diverse technologies and forms of mediation, and multiple dimensions of performance, experience and identity. Dedicated to theoretical and methodological innovation in cultural research, the journal is multidisciplinary in outlook, publishing relevant contributions that integrate approaches from the social sciences, humanities, information sciences and more. International Journal of Cultural Studies publishes original research articles. The journal gives preference to papers that extend existing theory or generate new theory through interpretive engagement with empirical cases. Papers based on single country case-studies should clearly indicate and develop the broader relevance of their analyses for an international readership. The journal does not publish close readings of single texts; but it does consider critical, contextualised readings that similarly indicate and develop the broader relevance of their analyses to the field. International Journal of Cultural Studies regularly publishes special issues on urgent questions in the field as well as on specific regions, industries and practices.