Palimpsestic Tales: Hidden "Histories" of Resistance, Militarization, and Disenfranchisement of the Women of Eritrea

Q3 Arts and Humanities
Iyob
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引用次数: 1

Abstract

ABSTRACT:The "history" of the women of Eritrea is a composite of images and narratives that presents them as symbols of the land viewed through the lenses of colonial writers, anticolonial activists, and postcolonial nationalists. These portrayals have tended to deflect a deeper understanding of their lived histories, distorting their actual experiences under colonial rule (1890–1941), during the decolonization period (1941–51), and the era of Ethiopian rule (1952–91). In both the colonial and postcolonial periods, the images constructed by ruling elites mask the harsh realities of women's unmet aspirations of democratic citizenship, justice, and equality under the law, a tendency that has continued since the country's independence in 1993 through the palimpsestic gendered narratives of elites in the nation and diaspora. This article challenges these iconic remembrances to reconstruct the lived historical experiences of the multiethnic, multireligious, and multifaceted women of Eritrea.
重写故事:厄立特里亚妇女抵抗、军事化和剥夺选举权的隐藏“历史”
摘要:厄立特里亚妇女的“历史”是图像和叙事的综合体,通过殖民作家、反殖民活动家和后殖民民族主义者的视角,将她们呈现为土地的象征。这些描绘往往会转移对他们生活历史的更深理解,扭曲他们在殖民统治(1890–1941)、非殖民化时期(1941–51)和埃塞俄比亚统治时代(1952–91)的实际经历。无论是在殖民时期还是后殖民时期,统治精英构建的形象都掩盖了女性对民主公民身份、正义和法律平等的渴望未得到满足的严酷现实,自1993年国家独立以来,这一趋势一直在通过对国内精英和海外精英的重写性别叙事而延续。这篇文章挑战了这些标志性的记忆,以重建厄立特里亚多民族、多宗教和多方面妇女的生活历史经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Northeast African Studies
Northeast African Studies Arts and Humanities-History
CiteScore
0.80
自引率
0.00%
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