El arte como testimonio tangible de la memoria. La doble cara del exilio

Abstract

This article studies the parallel paths of two artists from the Spanish republican exile: Eleuterio Blasco Ferrer and José García Tella, and their differences in the recovery process. Whereas Eleuterio Blasco Ferrer has museum spaces, José García Tella does not and is absent from Spain’s art history. The return and reintegration into places of origin as basis for the vindication of memories of figures from the diaspora will be highlighted, while non-return addresses the other side, that of oblivion.