Craft sciences meet neuroscience

IF 0.3 0 ART
Camilla Groth, V. Jousmäki, Veli-Matti Saarinen, R. Hari
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引用次数: 0

Abstract

Collaboration between disciplines is necessary when research questions cannot be answered within a single discipline. Joining of forces can produce results that neither discipline could provide alone. Here we exemplify collaboration between a ceramic craft researcher and three neuroscientists working in the field of human brain imaging. In our case study of clay throwing, the researcher–practitioner’s eye gaze, muscular activity and hand acceleration were recorded online, synchronized with video and thermal-camera recordings. We describe the experimental setting and discuss, besides the possible future interests in this kind of research, also the different levels of collaborative work between disciplines. We found that the monitoring methods worked well in the naturalistic setting in a ceramic studio, providing some new perspectives into the craft practice. For neuroscientists, clay throwing – involving accurate sensorimotor hand control, haptics and eye–hand coordination – provides an attractive setup to extend previous neuroscientific and behavioural findings in strictly controlled laboratory experiments into naturalistic situations. The applied monitoring devices might allow practitioner–researchers in crafts to become aware of unconscious steps in the making process. The applied methods could also help to accumulate general craft-making knowledge and build related theory.
工艺科学与神经科学相遇
当研究问题无法在一个学科内得到回答时,学科之间的合作是必要的。力量的结合可以产生任何学科都无法单独提供的结果。在这里,我们举例说明了一位陶瓷工艺研究人员和三位在人脑成像领域工作的神经科学家之间的合作。在我们的粘土投掷案例研究中,研究人员——练习者的眼睛凝视、肌肉活动和手部加速度都被在线记录下来,并与视频和热像仪记录同步。我们描述了实验环境,并讨论了未来对这类研究的可能兴趣,以及学科之间不同层次的合作。我们发现,这些监测方法在陶瓷工作室的自然主义环境中效果良好,为工艺实践提供了一些新的视角。对于神经科学家来说,投掷粘土——涉及精确的感觉运动手部控制、触觉和眼手协调——提供了一种有吸引力的设置,可以将之前在严格控制的实验室实验中的神经科学和行为发现扩展到自然环境中。所应用的监控设备可能会让手工艺的从业者和研究人员意识到制作过程中的无意识步骤。所应用的方法也有助于积累一般工艺知识和建立相关理论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
28
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