‘Sheffield in virus time’: Forms of writing, reading, living

Q2 Arts and Humanities
Joanne Lee
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引用次数: 0

Abstract

This article considers the experience of writing a daily journal, published daily via a public social media site. The journal began on 31 March 2020 as an attempt to account for the suddenly changed experiences of my personal and professional life (as an artist and lecturer) in the early days of the first UK coronavirus lockdown; it is still ongoing. After producing 700,000 words, this project has come to be understood as having shifted my writing in creative practice to writing as a practice for creating life. An expansive readerly engagement with a variety of creative and critical diarists provides generative perspectives for rethinking life and work. This latter part of the article’s structure considers the ‘Sheffield in virus time’ project in relation to poet Kumiko Hahn’s characterization of the zuihitsu as a fungal form. This Japanese genre (translated as ‘following the will of the pen’) develops casual, loosely connected fragments and ideas, often in haphazard order, a form well-suited to the ongoingness of writing life.
“病毒时代的谢菲尔德”:写作、阅读和生活的形式
这篇文章考虑了每天通过公共社交媒体网站发表的日刊的写作经历。该杂志始于2020年3月31日,试图解释我在英国第一次冠状病毒封锁初期(作为艺术家和讲师)的个人和职业生活突然发生的变化;它仍在进行中。在创作了70万字之后,这个项目被理解为将我的写作从创造性实践转变为创造生活的实践。与各种富有创造力和批判性的日记作者进行广泛的阅读接触,为重新思考生活和工作提供了生成性的视角。文章结构的后半部分考虑了“病毒时代的谢菲尔德”项目,该项目与诗人久美子·哈恩(Kumiko Hahn)将左伊琴描述为一种真菌形式有关。这种日本流派(翻译为“遵循笔意”)发展出随意的、松散连接的片段和想法,通常是随意的,这种形式非常适合写作生活的永恒。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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