Literary Arrangement of Folklore Plots into the Language of Fiction: The Poem by G. Tukay «SU Anasy» through the Prism of the Folklore and Mythological Basis of the Work

Saviia Gimaltynovna Samitova
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Abstract

The article is the first attempt to determine the peculiarities of the perception of folklore and mythological plots, with the image of Su Anasy in the center, by Tatar fiction. The relevance and significance of the present research is determined by the lacunarity of this scientific topic in the modern Turkology research. The investigation reflected in this article is based on the use of comparative, systemic, functional and genetic methods, as well as the reconstruction method. The use of these methods is determined by the desire to present a comprehensive analysis of the multifactorial influence of the folklore and mythological specifics of the Su Anasy image on its plot, ideological, ethical and aesthetic adaptation to the field of fiction, that is the aim of the present work. In the course of the analysis, it was established that the central image of the poem of Tatar classic G. Tukay is a kind of quintessence of the traditional worldview of the Tatar ethnos, accumulating the most archaic, basic epistemological and axiological constants. The revealed fact of the dialogue between folklore and imaginative literature, forms an ethnically marked consonance between the two varieties of verbal creativity, and we can claim that this very statement explains the fact that several generations of literary scholars assess the Gabdulla Tukay’s «Su Anasy» as a truly folk work.
民间传说情节在小说语言中的文学安排——G.图凯的诗歌《苏·阿纳西》从民间传说的棱镜和作品的神话基础看
本文首次尝试确定鞑靼小说中以苏阿纳西形象为中心的民间传说和神话情节感知的特殊性。这一科学课题在现代突厥学研究中的缺失,决定了本研究的相关性和意义。本文运用比较法、系统法、功能法和遗传法以及重构法进行调查。使用这些方法是为了全面分析苏安纳西形象的民间传说和神话特征对其情节、思想、伦理和审美适应小说领域的多因素影响,这是本研究的目的。在分析过程中,确立了鞑靼经典图凯诗的中心意象是一种鞑靼民族传统世界观的精华,积累了最古老、最基本的认识论和价值论常数。民间传说和想象文学之间对话的事实,在两种语言创造力之间形成了一种民族标志的一致性,我们可以声称,这种说法解释了几代文学学者将加杜拉·图凯的《苏阿纳西》评价为真正的民间作品的事实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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