2020 Leonardo and Leonardo Music Journal Author Index

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI:10.1162/lmj_a_01107

D. D. Clark

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AMELOT, PIERRE; HWONG, JOHN; and MCMANUS, KATE. “Vijks: Hidden Dimensions,” in Special Section “IEEE VIS 2016 and 2017 Arts Program Gallery,” Leonardo 53, No. 1 (2020). ANDERSON, GEMMA; VERD, BERTA; and JAEGER, JOHANNES. “Drawing to Extend Waddington’s Epige netic Landscape,” Leonardo 53, No. 3 (2020). ANTONOVA, CLEMENA. “Non-Euclidean Geometry in Russian Art History: On a Little-Known Application of a Scientific Theory,” Leonardo 53, No. 3 (2020). APOSTOLIDES, NIK. Introduction and Art Gallery, Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). ASHFORD, RAIN. “Responsive and Emotive Wearable Tech: Physiological Data, Devices and Communication,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “Earth Day, Regeneration and Arts-SciTech,” Leonardo 53, No. 2 (2020). AYTON-SHENKER, DIANA. “Earth, rise!” Leonardo 53, No. 3 (2020). 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引用次数: 0

Abstract

Side Venus: The Legacy of Margaret Burroughs by Mary Ann Cain, Leo nardo 53, No. 2 (2020). ADELMAN, CLEMENT. “Chance in Art and Biology,” Leonardo 53, No. 1 (2020). AGGARWAL, VIDHU. “Radioactive Unicorn,” in “Scientific Delirium Madness 6.0” Gallery section, Leo nardo 53, No. 3 (2020). AH-MER-AH-SU. “Meg Ryan,” audio track, “LMJ30 Audio Companion,” Leonardo Music Journal 30 (2020). AHRNT, JANNA. “Deconstruct and Dissent: Subversive Technologies for the Modern Militant,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). ALESSANDRINI, PATRICIA. “A little bit of noise,” in “Scientific Delirium Madness 6.0” Gallery section, Leonardo 53, No. 3 (2020). AMELOT, PIERRE; HWONG, JOHN; and MCMANUS, KATE. “Vijks: Hidden Dimensions,” in Special Section “IEEE VIS 2016 and 2017 Arts Program Gallery,” Leonardo 53, No. 1 (2020). ANDERSON, GEMMA; VERD, BERTA; and JAEGER, JOHANNES. “Drawing to Extend Waddington’s Epige netic Landscape,” Leonardo 53, No. 3 (2020). ANTONOVA, CLEMENA. “Non-Euclidean Geometry in Russian Art History: On a Little-Known Application of a Scientific Theory,” Leonardo 53, No. 3 (2020). APOSTOLIDES, NIK. Introduction and Art Gallery, Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). ASHFORD, RAIN. “Responsive and Emotive Wearable Tech: Physiological Data, Devices and Communication,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “Earth Day, Regeneration and Arts-SciTech,” Leonardo 53, No. 2 (2020). AYTON-SHENKER, DIANA. “Earth, rise!” Leonardo 53, No. 3 (2020). AYTON-SHENKER, DIANA. “The Great Awakening: Are We Up to the Challenge?” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “The Leo nardo COVID-19 Diaries,” Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Adaptation and Convergence of Media: “High” Cultural Intermediality versus Popular Culture Intermediality, edited by Lily Díaz, Magda Dragu and Leena Elittä, Leonardo 53, No. 3 (2020). BAETENS, JAN. Review of Chromo graphia: American Literature and the Modernization of Color by Nicholas Gaskill, Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Designing an Internet by David D. Clark, Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Electronic Lit erature by Scott Rettberg, Leonardo 53, No. 1 (2020). BAETENS, JAN. Review of A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century by Andrei Pop, Leonardo 53, No. 5 (2020). BAETENS, JAN. Review of Gramma lepsy: Essays on Digital Language Art by John Cayley, Leonardo 53, No. 1 (2020). BAETENS, JAN. Review of Sensations of History: Animation and New Media Art by James J. Hodge, Leonardo 53, No. 5 (2020). BAETENS, JAN. Review of The Super market of the Visible: Toward a General Economy of Images by Peter Szendy; translated by Jan Plug, Leonardo 53, No. 3 (2020). BAETENS, JAN. Review of The Technol ogy Fallacy: How People Are the Real Key to Digital Transformation, edited by Gerald C. Kane, Anh Nguyen Phillips, Jonathan R. Copulsky and Garth R. Andrus, Leonardo 53, No. 3 (2020). BAN, SEONGHOON and HYUN, KYUNG HOON. “Pixel of Matter: New Ways of Seeing with an Active Volumetric Filmmaking System,” Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). BARBER, JOHN F. Review of Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner, Leonardo 53, No. 3 (2020). BARBER, JOHN F. Review of Sound Art Revisited by Alan Licht, Leonardo 53, No. 5 (2020). BARBER, JOHN F. Review of Tokyo Listening: Sound and Sense in a Con temporary City by Lorraine Plourde, Leonardo 53, No. 3 (2020). BARREIRO LOPEZ, PAULA. “Antes del Arte in Spain (1968–1969): Merging Art, Science and Politics in the Heat of the Cold War,” Leonardo 53, No. 3 (2020). BASU, SHARMI. “Freelancer’s Jest or Sorry I’m A Fuckup,” audio track, “LMJ30 Audio Companion,” Leo nardo Music Journal 30 (2020). BELOFF, LAURA. “The Hearing Test: Evidence of a Vegetal Entity in Special Section “Re:sound—Media Art Histories 2019,” Leonardo Music Journal 30 (2020). BENJAMIN, GARFIELD. “Indistinguishable from Magic: Perception, Knowledge, Technology, Art,” Leonardo 53, No. 5 (2020). BOKARIS, PANAGIOTIS-ALEXANDROS; GOUIFFÈS, MICHELE; CAYE,VÉRONIQUE; CHOMAZ, JEAN-MARC; and JACQUEMIN, CHRISTIAN. “Gardien du Temple: An Interactive Installation Involving Poetry, Performance and Spatial 2020 author index

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2020莱昂纳多和莱昂纳多音乐期刊作者索引

《侧面维纳斯:玛格丽特·巴勒斯的遗产》，玛丽·安·凯恩，Leo - nardo 53, No. 2(2020)。阿德尔曼,克莱门特。“艺术与生物学中的机遇”，列奥纳多53,No. 1(2020)。AGGARWAL VIDHU。“放射性独角兽”，“科学谵妄疯狂6.0”展厅，Leo - nardo 53, No. 3(2020)。AH-MER-AH-SU。“Meg Ryan”，音轨，“LMJ30音频伴侣”，莱昂纳多音乐杂志30(2020)。AHRNT,珍。“解构与异议:现代好战分子的颠覆技术”，载于《顶尖实验室摘要2019》专区，《莱昂纳多》53期，第5期(2020)。ALESSANDRINI,帕特丽夏。“一点点噪音”，《科学谵妄疯狂6.0》画廊区，列奥纳多53号，第3号(2020)。麦洛,皮埃尔;HWONG,约翰;麦克马纳斯，凯特。“维克斯:隐藏的维度”，载于“IEEE VIS 2016和2017艺术项目画廊”特辑，列奥纳多53,No. 1(2020)。安德森,芽;佛得角,贝尔塔;还有耶格，约翰内斯。“延伸沃丁顿的epegegnetic Landscape的绘画”，列奥纳多53,No. 3(2020)。ANTONOVA CLEMENA。“俄罗斯艺术史上的非欧几里得几何:关于一种鲜为人知的科学理论的应用”，列奥纳多53,No. 3(2020)。阿波斯托利季斯为政策,不力尼克。《介绍与艺术画廊》，列奥纳多特刊:SIGGRAPH 2020艺术论文与调解公共空间画廊，列奥纳多53,No. 4(2020)。阿什福德,下雨了。“响应和情感可穿戴技术:生理数据、设备和通信”，载于《2019年顶级实验室摘要》专区，《莱昂纳多》53期，第5期(2020)。AYTON-SHENKER,戴安娜。“地球日，再生与艺术-科技”，列奥纳多53,No. 2(2020)。AYTON-SHENKER,戴安娜。“地球,崛起!”《达芬奇53》，No. 3(2020)。AYTON-SHENKER,戴安娜。“大觉醒:我们能应对挑战吗?”《达芬奇53》，No. 5(2020)。AYTON-SHENKER,戴安娜。“莱昂纳多-纳多COVID-19日记”，莱昂纳多53，第2号(2020年)。BAETENS, 1 .《媒介的适应与融合:“高”文化中介性与大众文化中介性》综述，Lily Díaz、Magda Dragu和Leena主编Elittä，《莱昂纳多》53期，2020年第3期。《彩色书写评论:尼古拉斯·加斯基尔的美国文学与色彩现代化》，列奥纳多53期，第2期(2020)。《设计互联网的评论》，大卫·d·克拉克著，莱昂纳多53，第2期(2020)。Scott Rettberg的电子文学评论，Leonardo 53, No. 1(2020)。《符号森林:漫长的十九世纪的艺术、科学与真理》，安德烈·波普，列奥纳多53年，No. 5(2020)。《语法-癫痫病的评论:约翰·凯利的数字语言艺术论文》，莱昂纳多53,No. 1(2020)。《历史的感觉:动画与新媒体艺术》，詹姆斯·j·霍奇，列奥纳多53,No. 5(2020)。《可见的超级市场:走向图像的一般经济》书评，作者:彼得·森迪;Jan Plug译，Leonardo 53, No. 3(2020)。《技术谬误:人如何成为数字化转型的真正关键》，杰拉德·c·凯恩、Anh Nguyen Phillips、乔纳森·r·科普尔斯基和加思·r·安德鲁斯主编，莱昂纳多53期，2020年第3期。潘成勋和玄敬勋。“物质的像素:用活跃的体积电影制作系统观看的新方式”，列奥纳多特刊:SIGGRAPH 2020艺术论文与调解公共空间画廊，列奥纳多53，第4期(2020)。BARBER, JOHN F.《混合实践:1960年代艺术与科学技术的合作》，由David Cateforis, Steven Duval和Shepherd Steiner编辑，Leonardo 53, No. 3(2020)。约翰·f·巴伯，《阿兰·莱特重新审视的声音艺术评论》，列奥纳多53,No. 5(2020)。约翰·f·巴伯:《东京倾听:一个当代城市的声音和感觉》书评，作者:洛林·普卢德，列奥纳多53,No. 3(2020)。我是巴雷罗·洛佩斯，宝拉。“西班牙的艺术之人(1968-1969):冷战激烈时期艺术、科学与政治的融合”，列奥纳多53号，第3期(2020)。巴苏,SHARMI。“自由职业者的笑话或对不起，我是个混蛋”，音轨，“LMJ30音频伴侣”，Leo - nardo音乐杂志30(2020)。BELOFF,劳拉。“听力测试:一个植物实体的证据”，“Re:声音媒体艺术史2019”，《莱昂纳多音乐杂志》30(2020)。本杰明,加菲猫。“与魔法不可区分:感知、知识、技术、艺术”，列奥纳多53,No. 5(2020)。BOKARIS PANAGIOTIS-ALEXANDROS;GOUIFFES米歇尔;CAYE,薇罗尼卡;CHOMAZ, jean - marc;杰奎明，克里斯蒂安。《寺庙花园:一个涉及诗歌、表演和空间的互动装置》2020作者索引

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.