{"title":"Concocting Justice: Dicaeopolis the Cook-Comedian","authors":"D. Christenson","doi":"10.5406/illiclasstud.45.2.0265","DOIUrl":null,"url":null,"abstract":"Abstract:Discussion of costume in Acharnians has focused on Dicaeopolis’s appropriation of Telephus’s rags and violent un-costuming of Lamachus. No less metacomically significant is Dicaeopolis’s persona as a mageiros, made explicit by props rather than a costume-change when he eventually cooks onstage. The chiton- and phallus-wearing protagonist in fact throughout Acharnians assumes the persona of a cook-comedian, whose ultimate triumph is marked by his festively donning a himation. The metapoetics of cooking largely figure Acharnians’ melding of Aristophanes and Dicaeopolis, as the latter promotes τρυγῳδία as an innovative blend of comedy deserving a serious hearing and victory at the festival.","PeriodicalId":81501,"journal":{"name":"Illinois classical studies","volume":"45 1","pages":"265 - 286"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Illinois classical studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/illiclasstud.45.2.0265","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Discussion of costume in Acharnians has focused on Dicaeopolis’s appropriation of Telephus’s rags and violent un-costuming of Lamachus. No less metacomically significant is Dicaeopolis’s persona as a mageiros, made explicit by props rather than a costume-change when he eventually cooks onstage. The chiton- and phallus-wearing protagonist in fact throughout Acharnians assumes the persona of a cook-comedian, whose ultimate triumph is marked by his festively donning a himation. The metapoetics of cooking largely figure Acharnians’ melding of Aristophanes and Dicaeopolis, as the latter promotes τρυγῳδία as an innovative blend of comedy deserving a serious hearing and victory at the festival.