Right to Refusal: Consent and Rejection in Social Swing Dancing

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2023-05-04 DOI:10.1080/01472526.2023.2173941

H. Standiford

引用次数: 0

Abstract

Abstract How has a small swing dance community navigated shifts in etiquette surrounding consent and refusal in social dancing? This research focuses on Pittsburgh’s swing dance community and the changes that have occurred between the 1990s and 2022. To illustrate shifts in requesting consent for dances, accepting or declining dances, and expressing discomfort during dances, this study draws from interviews with dancers and participant observation. By recasting “no” as an acceptable response, the Pittsburgh swing dance community creates more opportunities for participants to set boundaries and opens a spectrum of possible responses that fall between a “yes” or a “no.”

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拒绝的权利:社交摇摆舞中的同意与拒绝

一个小型摇摆舞社区如何在交际舞中围绕同意和拒绝的礼仪变化中导航?这项研究的重点是匹兹堡的摇摆舞社区以及20世纪90年代到2022年之间发生的变化。为了说明舞蹈请求同意、接受或拒绝舞蹈以及在舞蹈中表达不适的转变，本研究从对舞者的采访和参与者观察中得出结论。通过将“不”重新定义为可接受的回答，匹兹堡摇摆舞社区为参与者创造了更多的机会来设定界限，并打开了介于“是”或“否”之间的可能回答范围。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.