Vision 2020: A Review of 20 Years of Inclusion Studies in Music Education

Amalia A. Allan
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引用次数: 2

Abstract

Inclusion has been a prominent topic in music education since the passage of the Education for All Handicapped Children Act of 1974 (now known as the Individuals with Disabilities Education Act or IDEA 2004). In 2000, music educators at the Housewright Symposium presented a list of goals for music education for the year 2020 in a document called Vision 2020, and one of those goals stated that barriers would be removed for the inclusion of all students. The purpose of this literature review was to examine the past 20 years of music education research (1999–2019) to determine how well the inclusion goal of Vision 2020 has been met. Four themes emerged: Perceptions in Schools, Practices in Schools, University Coursework, and Unique Topics. A concluding section summarizes findings and presents implications for meeting the Vision 2020 inclusion goal as it pertains to students with disabilities.
2020愿景:音乐教育包容性研究20年回顾
自1974年《所有残疾儿童教育法》(现称为《残疾人教育法》或IDEA 2004)通过以来,包容性一直是音乐教育中的一个突出主题。2000年,在豪斯莱特研讨会上,音乐教育家们在一份名为《2020年愿景》的文件中提出了2020年音乐教育的目标清单,其中一个目标指出,将消除所有学生参与音乐教育的障碍。本文献综述的目的是检查过去20年的音乐教育研究(1999-2019),以确定2020年愿景的包容性目标是如何实现的。出现了四个主题:学校的观念、学校的实践、大学课程和独特的主题。结论部分总结了研究结果,并提出了实现2020年愿景包容目标的意义,因为它与残疾学生有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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