Muhammad Qoyyim Ya'qub's Locality Expression in the Qur’any Song

N. Rochmawati
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Abstract

The practice of Islam in the archipelago is the result of the dialectic of the Shari'a text with the realities of the local culture. It can be said that Islam and culture are entities that cannot be denied each other. It became a starting point for Muhammad Qoyyim Ya'qub to interpret contextually that is integrated with aspects of locality. The song Qur'any is a form of Qoyyim's actualization of exploring and grounding the values of the Qur'an in the cultural framework of the archipelago. So, this article reveals; 1) the extent to which Muhammad Qoyyim Ya'qub reveals the locality dimension in his commentary; Song Qur’any, and 2) what strategy is used to explore the reading of the Qur'an. Paul Ricoeur's hermeneutics was used to analyze the results of Muhammad Qoyyim Ya'qub's interpretation and communication theory to map his da'wah mode. The finding explores that the Song of the Qur’an contains both appreciation and criticism. Beside internalizing, Qoyyim Ya'qub in his interpretation responds to local culture which is considered not in line with Islamic values. Lyric Poetry is the chosen medium to assist in the process of transmitting the messages of the Qur'an
《古兰经》歌曲中的地方性表达
伊斯兰教在群岛的实践是伊斯兰教法文本与当地文化现实辩证的结果。可以说,伊斯兰教和文化是不能相互否定的实体。这成为Muhammad Qoyyim Ya’qub解读与地方性相结合的语境的起点。歌曲《古兰经》是Qoyyim在群岛的文化框架中探索和巩固古兰经价值观的一种实现形式。因此,本文揭示了;1) Muhammad Qoyyim Ya’qub在评论中揭示地方维度的程度;宋古兰经,以及2)用什么策略来探索古兰经的阅读。运用保罗·里科尔的解释学思想,分析了雅库布的阐释结果和传播理论,绘制了雅库伯的达瓦模式。研究发现,《古兰经》包含了赞赏和批评。除了内化,Qoyyim Ya’qub在他的解释中回应了被认为不符合伊斯兰价值观的当地文化。抒情诗是帮助传递《古兰经》信息的选定媒介
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