Version Control: Mark Rothko’s Harvard Murals through the Lens of the Documentation Model for Time-Based Media Art

IF 0.7 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Journal of the American Institute for Conservation Pub Date : 2021-07-03 DOI:10.1080/01971360.2021.1913542

Ellen Davis

引用次数: 0

Abstract

ABSTRACT Long shrouded by a history of material change, Mark Rothko’s Harvard Murals are reassessed as a work of installation art, using the logic of the documentation model for time-based media art developed and published by Joanna Phillips in 2015. The documentation model and its theoretical framework aid in clarifying both the core identity of the work and its viability for future iterations. By applying the documentation model’s logic to this set of paintings, the model’s broad applicability is demonstrated.

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版本控制:马克·罗斯科的哈佛壁画在基于时间的媒体艺术的文献模型的镜头

摘要长期被物质变化的历史所笼罩，马克·罗斯科的《哈佛壁画》被重新评估为一件装置艺术作品，采用了乔安娜·菲利普斯于2015年开发并出版的基于时间的媒体艺术文献模型的逻辑。文档模型及其理论框架有助于澄清工作的核心身份及其对未来迭代的可行性。通过将文献模型的逻辑应用于这套绘画，证明了该模型的广泛适用性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of the American Institute for Conservation HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.30

自引率

0.00%

发文量

期刊介绍： The American Institute for Conservation is the largest conservation membership organization in the United States, and counts among its more than 3000 members the majority of professional conservators, conservation educators and conservation scientists worldwide. The Journal of the American Institute for Conservation (JAIC, or the Journal) is the primary vehicle for the publication of peer-reviewed technical studies, research papers, treatment case studies and ethics and standards discussions relating to the broad field of conservation and preservation of historic and cultural works. Subscribers to the JAIC include AIC members, both individuals and institutions, as well as major libraries and universities.