"It's Such a Small Planet, Why Do You Need Borders?": Seeing Flying in Le Petit Prince and Its Screen Adaptations

Pub Date : 2019-12-01 DOI:10.1353/jeu.2019.0024
A. Barai
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Abstract

Abstract:In this article, I analyze the potential positive impact of aerial perspectives on children's understanding of their place in the world, with Le Petit Prince envisioning a borderless world of ecological and social unity. The novellas of the pilot and author Antoine de Saint-Exupéry encourage their projected viewers to see the interconnectedness of all life, including the life of the planet itself. Most notably, Le Petit Prince raises environmental responsibility in discussing the prince's planet and undermines ideas of national difference as the prince views the earth from space. Visual adaptations of Le Petit Prince by Stanley Donen and Will Vinton pick up on Saint-Exupéry's phenomenology of perception and translate them through visual techniques into politicized aerial perspectives. Looking at Le Petit Prince and its film adaptations, this article argues that aerial perspectives work to transform children's perceptions and break down bordered mappings of the world.
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“地球这么小,你为什么需要边界?”看《小王子》中的《飞翔》及其银幕改编
摘要:在本文中,我分析了空中视角对儿童理解他们在世界上的位置的潜在积极影响,《小王子》设想了一个生态和社会统一的无国界世界。飞行员和作家安托万·德·圣埃克苏姆赛的中篇小说鼓励他们的观众看到所有生命的相互联系,包括地球本身的生命。最值得注意的是,《小王子》在讨论王子的星球时提出了环境责任,并在王子从太空看地球时破坏了国家差异的观念。斯坦利·多南(Stanley Donen)和威尔·温顿(Will Vinton)对《小王子》(Le Petit Prince)的视觉改编借鉴了圣·埃克苏普萨里的感知现象学,并通过视觉技术将其转化为政治化的空中视角。通过观察《小王子》及其改编的电影,本文认为,从空中视角可以改变孩子们的观念,打破世界的边界映射。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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