Anonymity as a Strategy in Friedrich Schleiermacher’s Early Work, and its Theological and Social Implications

IF 0.1 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Ruth Jackson Ravenscroft
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Abstract

ABSTRACT This article appraises a series of Friedrich Schleiermacher’s early writings (1799–1800). While appreciating the material conditions under which Schleiermacher was compelled to write anonymously, it also argues that anonymity features in these works as a literary strategy that sheds light on wider issues in his thought. I contend that the way Schleiermacher plays with this motif of anonymity helpfully illuminates distinctive theological assumptions undergirding his understanding of human nature, human language and gesture, and the rules he argues should govern social conduct.
施莱尔马赫早期作品中的匿名策略及其神学和社会意义
本文评价了弗里德里希·施莱尔马赫(Friedrich Schleiermacher, 1799-1800)的一系列早期作品。在欣赏施莱尔马赫被迫匿名写作的物质条件的同时,它也认为这些作品中的匿名特征是一种文学策略,它揭示了他思想中更广泛的问题。我认为施莱尔马赫处理匿名主题的方式有助于阐明他对人性、人类语言和手势以及他认为应该支配社会行为的规则的理解所依据的独特神学假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Publications of the English Goethe Society
Publications of the English Goethe Society LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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0.10
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