Mapping Places and Identities through Contemporary Bulawayo Popular Song Texts

IF 0.4 0 MUSIC
Nkululeko Sibanda, N. Dhlamini
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引用次数: 0

Abstract

Abstract In this article, the authors examine the symbiotic relationship that exists between places and identities in Bulawayo, Zimbabwe, through contemporary song texts. They borrow Julia Kristeva’s concept of intertextuality to trace the sources of spatial textual referents embedded in song texts and examine the ways in which they inform the emergence and consolidation of identities. Through analysing selected song texts from the late Beatar Mangethe, Khuxxman and Lovemore “Majaivana” Tshuma, the authors underscore the spatial senses in which these selected song texts define and shape identities and class distinctions in Bulawayo’s townships. Finally, they describe the identities of characters who are sketched into the places that Mangethe, Khuxxman and Majaivana sing about, thereby highlighting a symbiotic dialogue between people and places in Bulawayo.
通过当代布拉瓦约流行歌曲文本绘制地点和身份
在本文中,作者通过当代歌曲文本研究了津巴布韦布拉瓦约地区和身份之间存在的共生关系。他们借用Julia Kristeva的互文性概念来追踪嵌入歌曲文本的空间文本指涉的来源,并研究它们如何通知身份的出现和巩固。通过分析已故Beatar Mangethe、Khuxxman和Lovemore“Majaivana”Tshuma的精选歌曲文本,作者强调了这些精选歌曲文本在布拉瓦约乡镇定义和塑造身份和阶级差异的空间感觉。最后,他们描述了人物的身份,这些人物被描绘到Mangethe、Khuxxman和Majaivana所歌唱的地方,从而突出了布拉瓦约人与地方之间的共生对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
5
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