Why Do I Do What I Do? and For What and For Whom?: An Autoethnography of a Music Educator-Adult Learner

Elizabeth Susan V. Suarez
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引用次数: 0

Abstract

This autoethnography investigates my role as a music educator -adult learner within the context of choral pedagogy. To answer my questions, I drew from my childhood experiences and discovered that "modelling behavior” is an exemplary pedagogical tool for expedited but efficient choral rehearsal. This led to the development of the Guided Partnered Model (GPM), which has shaped the learners, choir members, and my music appreciation, developing self-esteem, self-worth, and musicianship. The ethnography method was used for data collection, and writing was assembled through hindsight. Furthermore, data analysis was gleaned from narrative inquiry, finding that the expressions of knowledge, skills, and values evidenced through stage performances have resulted in self-affirmation. This provided reflective opportunities to develop this autoethnography. This article could benefit choral conductors and music educators by enjoining them to refocus and reflect on their responsibilities and accountabilities that may enable them to discover innovative pedagogies in their classrooms.  
我为什么要做我所做的?为了什么,为了谁?一个音乐教育者-成人学习者的自我民族志
这本民族志调查了我作为一名音乐教育家的角色——在合唱教育学的背景下的成人学习者。为了回答我的问题,我从童年的经历中汲取经验,发现“行为建模”是一种快速但有效的合唱排练的示范性教学工具。这导致了指导伙伴模式(GPM)的发展,塑造了学习者、合唱团成员和我的音乐欣赏,培养了自尊、自我价值和音乐才能。民族志方法被用于数据收集,写作是事后整理的。此外,从叙事调查中收集数据分析,发现通过舞台表演证明的知识、技能和价值观的表达导致了自我肯定。这为发展这一民族志提供了反思的机会。这篇文章可以让合唱指挥家和音乐教育工作者重新关注和反思自己的责任和责任,从而使他们能够在课堂上发现创新的教学方法,从而对他们有益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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12 weeks
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