Extreme exoticism: Japan in the American musical imagination

IF 0.2 1区艺术学 0 MUSIC

Ethnomusicology Forum Pub Date : 2021-05-04 DOI:10.1080/17411912.2021.1950023

Mina Yang

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Abstract

edited by Alison McQueen Tokita and David W. Hughes, 105–26. Aldershot: Ashgate. DeNora, Tia. 2000. Music in Everyday Life. Cambridge: Cambridge University Press. Evans-Pritchard, E. E. 1962. ‘Anthropology as History’. In Essays in Social Anthropology, edited by E. E. EvansPritchard, 46–65. London: Faber and Faber. Finnegan, Ruth. 2007. The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press. Flavin, Philip. 2008. ‘Sokyoku-jiuta: Edo-Period Chamber Music’. In The Ashgate Research Companion to Japanese Music, edited by Alison McQueen Tokita and David W. Hughes, 169–96. Aldershot: Ashgate. Hesmondhalgh, David. 2013. Why Music Matters. Oxford: Wiley. Howard, Keith. 1991. ‘John Blacking: An Interview Conducted and Edited by Keith Howard’. Ethnomusicology 35 (1): 55–76. ———. 2014. ‘Politics, Parodies, and the Paradox of Psy’s “Gangnam Style”’. Romanian Journal of Social Sciences 1 (2015): 13–29. Jin, Jie. 2011. Chinese Music. Cambridge: Cambridge University Press. Josephson, David. 1991. ‘“A Common-Sense View of All Music”: Reflections on Percy Grainger’s Contribution to Ethnomusicology and Music Education’. Ethnomusicology 35 (2): 263–8. Kassabian, Anahid. 2013. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Berkeley and Los Angeles: University of California Press. Kim, Suk-Young. 2018. K-pop Live: Fans, Idols, and Multimedia Performance. Stanford: Stanford University Press. Komodo, Haruko. 2008. ‘The Musical Narrative of The Tale of the Heike’. In The Ashgate Research Companion to Japanese Music, edited by Alison McQueen Tokita and David W. Hughes, 77–103. Aldershot: Ashgate. Lipsitz, George. 2011. ‘Midnight at the Barrelhouse: Why Ethnomusicology Matters Now’. Ethnomusicology 55 (2): 185–99. Mithen, Steven. 2005. The Singing Neanderthals: The Origins of Music, Language, Mind and Body. Cambridge, MA: Harvard University Press. Pian, Rulan Chao. 1967. Sonq Dynasty Musical Sources and Their Interpretation. Harvard-Yenching Monograph Series 16. Cambridge, MA: Harvard University Press. Pinker, Steven. 2009. How the Mind Works. New York: Norton and Norton. Reily, Suzel Ana, ed. 2006. The Musical Human: Rethinking John Blacking’s Ethnomusicology in the TwentyFirst Century. Aldershot: Ashgate. Sachs, Curt. 1943. The Rise of Music in the Ancient World, East and West. New York: W.W. Norton & Co. Savage, Patrick, Hiromi Matsumae, Hiroki Oota, Mark Stoneking, Thomas E. Currie, Atsushi Tajima, Matt Gillan and Steven Brown. 2015. ‘How “Circumpolar” is Ainu Music? Musical and Genetic Perspectives on the History of the Japanese Archipelago’. Ethnomusicology Forum 24 (3): 443–67. Turino, Thomas. 2008.Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.

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极端异国情调：美国音乐想象中的日本

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来源期刊

Ethnomusicology Forum MUSIC-

CiteScore

1.10

自引率

25.00%

发文量

期刊介绍： Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.