Extreme exoticism: Japan in the American musical imagination

IF 0.2 1区 艺术学 0 MUSIC
Mina Yang
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引用次数: 0

Abstract

edited by Alison McQueen Tokita and David W. Hughes, 105–26. Aldershot: Ashgate. DeNora, Tia. 2000. Music in Everyday Life. Cambridge: Cambridge University Press. Evans-Pritchard, E. E. 1962. ‘Anthropology as History’. In Essays in Social Anthropology, edited by E. E. EvansPritchard, 46–65. London: Faber and Faber. Finnegan, Ruth. 2007. The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press. Flavin, Philip. 2008. ‘Sokyoku-jiuta: Edo-Period Chamber Music’. In The Ashgate Research Companion to Japanese Music, edited by Alison McQueen Tokita and David W. Hughes, 169–96. Aldershot: Ashgate. Hesmondhalgh, David. 2013. Why Music Matters. Oxford: Wiley. Howard, Keith. 1991. ‘John Blacking: An Interview Conducted and Edited by Keith Howard’. Ethnomusicology 35 (1): 55–76. ———. 2014. ‘Politics, Parodies, and the Paradox of Psy’s “Gangnam Style”’. Romanian Journal of Social Sciences 1 (2015): 13–29. Jin, Jie. 2011. Chinese Music. Cambridge: Cambridge University Press. Josephson, David. 1991. ‘“A Common-Sense View of All Music”: Reflections on Percy Grainger’s Contribution to Ethnomusicology and Music Education’. Ethnomusicology 35 (2): 263–8. Kassabian, Anahid. 2013. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Berkeley and Los Angeles: University of California Press. Kim, Suk-Young. 2018. K-pop Live: Fans, Idols, and Multimedia Performance. Stanford: Stanford University Press. Komodo, Haruko. 2008. ‘The Musical Narrative of The Tale of the Heike’. In The Ashgate Research Companion to Japanese Music, edited by Alison McQueen Tokita and David W. Hughes, 77–103. Aldershot: Ashgate. Lipsitz, George. 2011. ‘Midnight at the Barrelhouse: Why Ethnomusicology Matters Now’. Ethnomusicology 55 (2): 185–99. Mithen, Steven. 2005. The Singing Neanderthals: The Origins of Music, Language, Mind and Body. Cambridge, MA: Harvard University Press. Pian, Rulan Chao. 1967. Sonq Dynasty Musical Sources and Their Interpretation. Harvard-Yenching Monograph Series 16. Cambridge, MA: Harvard University Press. Pinker, Steven. 2009. How the Mind Works. New York: Norton and Norton. Reily, Suzel Ana, ed. 2006. The Musical Human: Rethinking John Blacking’s Ethnomusicology in the TwentyFirst Century. Aldershot: Ashgate. Sachs, Curt. 1943. The Rise of Music in the Ancient World, East and West. New York: W.W. Norton & Co. Savage, Patrick, Hiromi Matsumae, Hiroki Oota, Mark Stoneking, Thomas E. Currie, Atsushi Tajima, Matt Gillan and Steven Brown. 2015. ‘How “Circumpolar” is Ainu Music? Musical and Genetic Perspectives on the History of the Japanese Archipelago’. Ethnomusicology Forum 24 (3): 443–67. Turino, Thomas. 2008.Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.
极端异国情调:美国音乐想象中的日本
Alison McQueen Tokita和David W.Hughes编辑,105-26。奥尔德肖特:阿什盖特。迪诺拉,蒂亚。2000年,《日常生活中的音乐》。剑桥:剑桥大学出版社。Evans-Pritchard,E.,1962年人类学作为历史。《社会人类学随笔》,E.E.EvansPritchard主编,46–65。伦敦:费伯和费伯。芬尼根,露丝。2007年,《隐藏的音乐家:英国小镇的音乐制作》。康涅狄格州米德尔敦:卫斯理大学出版社。菲利普,弗拉文。2008年,《九田松:江户时代室内乐》。在Alison McQueen Tokita和David W.Hughes编辑的《阿什盖特日本音乐研究指南》中,169-96。奥尔德肖特:阿什盖特。赫斯蒙达尔,大卫。2013.为什么音乐很重要。牛津:威利。霍华德,基思。1991年,《约翰·布莱克林:基思·霍华德主持编辑的访谈录》。民族音乐学35(1):55-76.------。2014年,《政治、戏仿与Psy“江南Style”的悖论》。罗马尼亚社会科学杂志1(2015):13-29。金,杰。2011年,中国音乐。剑桥:剑桥大学出版社。约瑟夫森,大卫。1991年,“所有音乐的常识观”:珀西·格兰杰对民族音乐学和音乐教育贡献的思考。民族音乐学35(2):263–8。卡萨比安,阿纳希德。2013.普遍性听力:情感、注意力和分布主体性。伯克利和洛杉矶:加州大学出版社。金,苏英。2018.K-pop现场:粉丝、偶像和多媒体表演。斯坦福:斯坦福大学出版社。科莫多,春子。2008年,《海克传说的音乐叙事》。在Alison McQueen Tokita和David W.Hughes编辑的《阿什盖特日本音乐研究指南》中,77–103。奥尔德肖特:阿什盖特。利普西茨,乔治。2011年,《Barrelhouse的午夜:为什么民族音乐学现在很重要》。民族音乐学55(2):185-99。米申,史蒂文。2005年,《歌唱的尼安德特人:音乐、语言、心灵和身体的起源》。马萨诸塞州剑桥:哈佛大学出版社。片,赵汝兰。1967年,《宋王朝音乐渊源及其解读》。哈佛燕京专著系列16。马萨诸塞州剑桥:哈佛大学出版社。品克,史蒂文。2009年,《心灵是如何运作的》。纽约:诺顿和诺顿。Reily,Suzel Ana,2006年版。音乐人:重新思考二十一世纪约翰·布莱克金的民族音乐学。奥尔德肖特:阿什盖特。萨克斯,科特。1943.音乐在古代世界、东方和西方的兴起。纽约:W.W.Norton&Co.Savage、Patrick、Hiromi Matsumae、Hiroki Oota、Mark Stoneking、Thomas E.Currie、Atsushi Tajima、Matt Gillan和Steven Brown。2015年,阿伊努音乐如何“环极”?日本列岛历史的音乐和遗传学观点。民族音乐论坛24(3):443–67。图里诺,托马斯。2008年,《作为社会生活的音乐:参与的政治》。芝加哥:芝加哥大学出版社。
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来源期刊
CiteScore
1.10
自引率
25.00%
发文量
29
期刊介绍: Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.
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