Ritratto fotografico degli attori a Milano tra Otto e Novecento. Strategie di rappresentazione

Drammaturgia Pub Date : 2022-04-05 DOI:10.36253/dramma-13546
Silvia Paoli
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Abstract

Throughout its history, photography has always been in balance between opposite conventions, the technical conventions and the artistic ones, and photographic portrait has been mostly conditioned by these features. On this ground, however, and on the fair balance between these features, photography has founded its development and its quality. Photographic studios were opened in Milan from 1839 and the urban and cultural environment, all scientific and artistic circles, were interested in their activities. Photographers worked in the field of portraiture for aristocracy and middle classes but also for theaters, above all Teatro alla Scala, and for the most important actors and actresses of the period. This essay focuses on some important Milanese photographic studios devoted to portraying stage actors and to theatrical perfomances and scenographies – also in the first film studios – such as Varischi & Artico, Emilio Sommariva, Gigi Bassani, Mario Castagneri, Leopoldo Metlicovitz, Luca Comerio.
19世纪至20世纪米兰演员的摄影肖像。代表策略
纵观其历史,摄影一直处于对立的惯例、技术惯例和艺术惯例之间的平衡,摄影肖像大多受到这些特征的制约。然而,在这个基础上,在这些特征之间的公平平衡上,摄影奠定了它的发展和质量。摄影工作室从1839年开始在米兰开业,城市和文化环境,所有的科学和艺术界,都对他们的活动感兴趣。摄影师为贵族和中产阶级的肖像画领域工作,也为剧院工作,尤其是斯卡拉剧院,以及为那个时期最重要的演员和演员工作。本文重点介绍了米兰一些重要的摄影工作室,这些工作室致力于刻画舞台演员、戏剧表演和场景设计,也是第一批电影工作室,如Varischi&Artico、Emilio Sommariva、Gigi Bassani、Mario Castagneri、Leopoldo Metlicovitz、Luca Comerio。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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