Executing Calyphas: Gender, Discipline, and Sovereignty in 2 Tamburlaine

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES
Timothy A. Turner
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引用次数: 0

Abstract

This essay situates the execution of Calyphas in 2 Tamburlaine in the context of the gendered disciplinary regimes imposed by Tamburlaine in his quest for global empire. The execution bears a double significance: a father disciplines his son and, simultaneously, a sovereign military commander exercises martial law. In this doubling, the episode fuses a number of related issues in the history of sovereignty, especially key concepts addressed in Michel Foucault’s The History of Sexuality and later taken up by Giorgio Agamben in works such as Homo Sacer: Sovereign Power and Bare Life. By putting these historical models into dialogue with a revised account of the play’s source materials, this essay argues that Marlowe stages the violence embedded in both absolutist and republican models of governance when they are premised on the rigid enforcement of hierarchical disciplinary regimes.
执行卡利法斯:性别、纪律和主权在2坦伯兰
本文将《坦伯林2》中对卡利法斯的处决置于坦伯林在追求全球帝国时实施的性别纪律制度的背景下。处决具有双重意义:父亲管教儿子,同时,主权军事指挥官实施戒严令。在这一加倍中,这一集融合了主权史上的许多相关问题,特别是米歇尔·福柯的《性史》中提到的关键概念,后来乔治·阿甘本在《神圣人:主权权力和裸生》等作品中也提到了这些概念。通过将这些历史模型与该剧原始材料的修订描述进行对话,本文认为,马洛在专制主义和共和主义治理模式中都以严格执行等级纪律制度为前提,上演了暴力。
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
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11
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