Perwersje archiwum

Q4 Arts and Humanities
A. Gajewska
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引用次数: 0

Abstract

Perversions of the archive In the article, the author discusses the problematic status of an archival document,taking into account the concepts of perverse historiography and the methodological indicators of the apartheid archive. Documents stored in IPN (Institute of National Remembrance) have been used to show the challenges faced by the people investigating the documents stored there and attempting to unify the material found in the archive. The analysis of Autor Solaris, a 2016 biographical documentary film about Stanisław Lem, is preceded by reflections on the involvement of the archive researchers in politics and their reproductions of clichés and stereotypes about the past, which the author sees as directly leading to blurring and erasing of the victims’ testimonies. In doing so, the author uses critical analyses of the pornographic aspects of the presentation of mass murder victims. Relating to a concept proposed by one of the critics indicating that using archival sources in modern art leads to a mass amnesia, the author points to the dangers of using Nazi propaganda films in contemporary documentary film.
档案变态
档案的变态在这篇文章中,作者讨论了档案文件的问题地位,考虑到变态史学的概念和种族隔离档案的方法指标。储存在IPN(国家纪念研究所)的文件被用来展示人们在调查储存在那里的文件并试图统一档案中发现的材料时所面临的挑战。在分析2016年关于斯坦尼斯瓦夫·勒姆的传记纪录片《Autor Solaris》之前,我们思考了档案研究人员参与政治的情况,以及他们对过去陈词滥调和刻板印象的复制,作者认为这直接导致了受害者证词的模糊和抹去。在这样做的过程中,作者对大规模谋杀受害者的色情方面进行了批判性分析。关于一位评论家提出的一个概念,即在现代艺术中使用档案来源会导致大规模健忘症,作者指出了在当代纪录片中使用纳粹宣传片的危险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
自引率
0.00%
发文量
17
审稿时长
14 weeks
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