Mis-step as Global Encounter: The American Dance Festival in Reform Era China

Abstract

Abstract This article examines a pivoting moment in Chinese modern dance history—a four-year US-China dance exchange project known as the Guangdong Modern Dance Experimental Program that occurred as part of China's Reform Era cultural policies. Based on my intertwined positions of outside insider and artist-scholar, this article examines the interaction between competing kinesthetic values, pedagogical approaches, and conceptions of the modern crystallized in the Guangdong program, an inquiry that defies conventional narratives of Chinese modern dance. I propose the concept of “mis-step” as an aperture to rethink corporeal encounter and dance circulation in global spaces. “Mis-” indicates contingency beyond expectations; “-step” suggests productivity of that contingency. “Mis-step” thus highlights the rich potential of indeterminacy and proposes to theorize transnational dance history beyond “right” or “wrong.” Through mis-step, this article submits a sensual experience of global encounter that centers on perplexity. This awkward yet meaningful experience constructs a crucial component of globalization reality.