Authorship Analysis and the Ending of Seven Against Thebes: Aeschylus' Antigone or Updating Adaptation?

IF 0.2 3区 历史学 0 CLASSICS
Nikos Manousakis, E. Stamatatos
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引用次数: 0

Abstract

ABSTRACT:The present paper revisits the discussion concerning the authenticity of a crucial part in Aeschylus' Seven Against Thebes: the highly controversial ending of the play. Much has been written on the subject by various scholars, and even though there is now a general consensus that at some point in antiquity the ending of the play was "touched" by an author other than Aeschylus, the problem still remains unresolved in its devilish details. The question is of critical importance for classicists and theatre practitioners but also for anyone interested in classical literature, since, if the ending in the manuscripts is in fact Aeschylean, then Aeschylus could have been the first dramatist—long before Sophocles—to put on stage a defiant Antigone, eager to bury her brother Polyneices despite the civic prohibition. If the ending is spurious, then this will decisively affect how the play in question is read, studied, and staged. To address the problem, we used various tried and tested computer authorship attribution methods: Common n-grams, Support Vector Machines, and n-gram tracing. Thus, this study sheds new, interdisciplinary light on an old and perplexing philological question.
作者分析与《七人对底比斯》的结局:埃斯库罗斯的反变还是更新适应?
摘要:本文重新探讨了埃斯库罗斯《七人大战底比斯》中一个关键部分的真实性,即备受争议的结局。关于这个问题,许多学者已经写了很多文章,尽管现在有一个普遍的共识,即在古代的某个时候,该剧的结局是由埃斯库罗斯以外的一个作者“触摸”的,但这个问题在其恶魔般的细节中仍然没有得到解决。这个问题对古典学者和戏剧从业者以及任何对古典文学感兴趣的人都至关重要,因为,如果手稿中的结局实际上是埃斯库罗斯,那么埃斯库罗斯可能是第一个把一个反抗的安提戈涅推上舞台的剧作家——早在索福克勒斯之前——她不顾公民禁令,渴望埋葬她的兄弟波吕涅克斯。如果结局是假的,那么这将决定性地影响戏剧的阅读、研究和上演方式。为了解决这个问题,我们使用了各种经过尝试和测试的计算机作者归属方法:普通n-图、支持向量机和n-图跟踪。因此,这项研究为一个古老而令人困惑的语言学问题提供了新的、跨学科的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CLASSICAL WORLD
CLASSICAL WORLD CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: Classical World (ISSN 0009-8418) is the quarterly journal of The Classical Association of the Atlantic States, published on a seasonal schedule with Fall (September-November), Winter (December-February), Spring (March-May), and Summer (June-August) issues. Begun in 1907 as The Classical Weekly, this peer-reviewed journal publishes contributions on all aspects of Greek and Roman literature, history, and society.
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