The Apocalyptic Aesthetics of the List: Form and Political Economy in Wynnere and Wastoure

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
W. Rhodes
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引用次数: 0

Abstract

Lists can suggest both a complete written account and the open-ended accumulation of terms. In this, their frequent appearance in apocalyptic texts formally mirrors apocalypticism's combination of divinely created order and the chaotic description of catastrophic events. Medieval and early modern poetic prophecies often list local manifestations of disorder and exclude the cosmic frame of divine order, making poems like Wynnere and Wastoure, which draws heavily on the tradition of poetic prophecy, seem not particularly apocalyptic. But the list-like passages in Wynnere and Wastoure join its focus on economics to the implicit apocalypticism of its prophetic passages. The sense that lists can appear as both an ordered account and a disordered accumulation allows the lists of Wynnere and Wastoure to suggest the comforting bounds of an apocalyptic framework while performing its dissolution by a vision of political economy based on endless cycles of winning and wasting.
列表的启示美学:温纳雷与瓦斯托尔的形式与政治经济学
列表既可以建议完整的书面说明,也可以建议无限制的术语积累。在这一点上,它们在启示录文本中的频繁出现正式反映了启示录主义将神圣创造的秩序和对灾难性事件的混乱描述相结合。中世纪和现代早期的诗歌预言经常列出混乱的局部表现,并排除神圣秩序的宇宙框架,这使得像《温内尔》和《瓦斯托尔》这样大量借鉴诗歌预言传统的诗歌似乎并不是特别具有启示性。但《温内尔》和《瓦斯托尔》中的列表式段落将其对经济学的关注与预言性段落中隐含的启示主义结合在一起。列表既可以表现为有序的账户,也可以表现为无序的积累,这使得Wynnere和Wastoure的列表能够暗示世界末日框架的令人欣慰的界限,同时通过基于无休止的胜利和浪费循环的政治经济愿景来解决世界末日框架。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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