Ireland and India between Home and the World

IF 0.4 0 LITERATURE
Arka Chattopadhyay
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引用次数: 0

Abstract

This article charts world-making and home-formation as two connectors between Irish and Indian literature on their way toward becoming world literature. Home and world are conceptualized as flows while the idea of the path is seen as a synthetic bridge between them. The first part examines how Irish literature becomes world literature by studying two temporal encounters between Irish and Indian writers, between W.B. Yeats and Rabindranath Tagore and between Colm Tóibín and Amit Chaudhuri. The second part shifts from temporality to spatiality in a discussion of global modernisms that reads Tagore’s 1922 Lipika text on the path in relation to T.S. Eliot’s modernist imagination of tradition and the individual talent. The two parts of the article coalesce around the triad of home, world and path by envisaging the turn of world literature with a renewed focus on the universal and the ontological oneness of literature.
爱尔兰与印度在本土与世界之间
本文将世界制造和家庭形成作为爱尔兰和印度文学走向世界文学的两个连接点。家和世界被概念化为流动,而路径的概念被视为它们之间的合成桥梁。第一部分通过研究爱尔兰和印度作家之间的两次短暂相遇,叶芝和泰戈尔之间的相遇,以及科尔姆·托宾和阿米特·乔杜里之间的相遇来考察爱尔兰文学是如何成为世界文学的。第二部分从时间性转向空间性,讨论全球现代主义,阅读泰戈尔1922年的《利皮卡》文本,与T.s.艾略特对传统和个人才能的现代主义想象有关。文章的两个部分围绕着家、世界和道路的三位一体,重新关注文学的普遍性和本体论的统一性,展望了世界文学的转向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of World Literature
Journal of World Literature Arts and Humanities-Literature and Literary Theory
CiteScore
1.90
自引率
50.00%
发文量
23
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