THE ‘MARTYRDOM OF THINGS’: ICONOCLASM AND ITS MEANINGS IN THE SPANISH CIVIL WAR

Abstract

Abstract The anticlerical violence of the Spanish Civil War has received significant scholarly attention in recent years. However, there has been relatively little focus on the iconoclasm, even though the destruction of objects was easily the most common form of anticlerical violence. Nor has the effect of iconoclastic violence on those who treasured or venerated these objects been examined. This article looks at the emotional significance of the material artefacts that came under attack during the Civil War. It argues that, while some objects were treated simply as the material of which they were made, most provoked more complex interactions. In contrast to most earlier episodes of iconoclasm, these also left a visual record, which shows how the memory of the violence was shaped not only by textual accounts but also by photographs that memorialised and aestheticised it.