"The Walking Dead Family is a real thing, not just a hashtag": Experiencing Fan Tourism and Transmediality in Woodbury, Atlanta

Bethan Jones
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引用次数: 1

Abstract

The 2016 Society for Cinema and Media Studies conference took place in Atlanta. Historically important for the Civil Rights movement, the city is home to the Martin Luther King, Jr. National Historic Site, but as an emerging hub for film and television production Atlanta is also home to various studios, location tours, and other sites for fan tourism. I attended SCMS 2016 because of the scholarship, but visiting Atlanta meant I was able to spend a day on the Atlanta Movie Tours’ ‘Big Zombie’ tours. The tours feature locations from The Walking Dead in and around Atlanta, and are led by actors from the show. The tours thus provide fans access to behind-the-scenes stories and information, as well as exclusive access to locations, and opportunities to ‘re-enact’ key scenes. In this paper I document my experience of the tours as both fan and academic. I began the tour from a purely fannish perspective, excited to see locations and hear stories, but during the tour I found it difficult to halt academic analysis of this particular form of transmedia tourism. The actors leading the tour spoke of the ‘AMC family’ while noting how they were instructed not to speak to primary cast members, and clips from the show played inside the tour bus before we disembarked to view them in their ‘real’ (rather than fictional) Atlanta context. I thus experienced a sense of dissonance from, rather than immersion in, the world of The Walking Dead, and suggest that this sense of liminality is currently underexplored in analyses of transmedia tourism, where transmediality is assumed to bring the tourist deeper into the storyworld, rather than highlighting their divergence from it.
“行尸走肉家族是真实的,而不仅仅是一个标签”:在亚特兰大伍德伯里体验粉丝旅游和跨媒体
2016年电影与媒体研究协会会议在亚特兰大举行。在民权运动的历史上,这座城市是马丁·路德·金国家历史遗址的所在地,但作为一个新兴的电影和电视制作中心,亚特兰大也是各种工作室、外景旅游和其他粉丝旅游场所的所在地。我参加SCMS 2016是因为奖学金,但访问亚特兰大意味着我可以花一天时间参加亚特兰大电影之旅的“大僵尸”之旅。这次旅行将以《行尸走肉》在亚特兰大的取景地为特色,并由《行尸走肉》中的演员带领。因此,这次旅行为粉丝们提供了了解幕后故事和信息的机会,也为他们提供了独家访问地点的机会,以及“重新演绎”关键场景的机会。在本文中,我记录了我作为粉丝和学者的旅行经历。我从一个纯粹的狂热的角度开始了这次旅行,兴奋地看到了一些地方,听到了一些故事,但在旅行中,我发现很难停止对这种特殊形式的跨媒体旅游的学术分析。带领参观的演员们谈到了“AMC家族”,同时指出他们被告知不能和主要演员说话,在我们下车观看他们在“真实的”(而不是虚构的)亚特兰大背景下观看之前,旅游巴士里播放了该剧的片段。因此,我从《行尸走肉》的世界中体验到了一种不和谐感,而不是沉浸在其中,我认为这种阈值感目前在跨媒体旅游的分析中没有得到充分的探索,跨媒体旅游被认为是将游客带入故事世界,而不是突出他们与故事世界的分歧。
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