La traduction comme métareprésentation

Q3 Arts and Humanities
Magdalena Mitura
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引用次数: 0

Abstract

Translation as Metarepresentation: Nominal Sentence in Narrative Macro-Structures The style of each writer reflects the individual and fragmentary reflection of non-linguistic reality, which serves as the building material of the world (re)created in a literary work. The formal realisation of this subjective vision takes place through narrative macro-structures, such as narration and description. By its nature, translation of a literary work can be seen as a metarepresentation: a discursive representation created by the translator based on an artistic organization imposed by the author of the original.The aim of the article is to show how the translation techniques of nominal constructions influence the dynamics of the narrative and the way of representation inscribed in the new discourse. Our investigation confirms the hypothesis that the motives of the translator’s choices are not limited to the grammatical asymmetries between the Polish and French language systems, but result from previous stylistic models.
翻译作为元表示
作为元表征的翻译:叙事宏观结构中的名句每一位作家的风格都反映了对非语言现实的个别和零碎的反映,这是文学作品中重新创造的世界的建筑材料。这种主观视觉的形式化实现是通过叙事和描述等叙事宏观结构实现的。从本质上讲,文学作品的翻译可以被视为一种元表征:一种由译者基于原作作者强加的艺术组织而创造的话语表征。本文的目的是展示名词结构的翻译技巧如何影响新话语中的叙事动态和表现方式。我们的调查证实了这样一种假设,即译者选择的动机不仅限于波兰语和法语系统之间的语法不对称,而是由以前的文体模式造成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Miedzy Oryginalem a Przekladem
Miedzy Oryginalem a Przekladem Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
19
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