Transcultural memory and identity: Reconstructing film spectatorship in Tamil refugee resettlement experiences

IF 0.3 0 ASIAN STUDIES
Niro Kandasamy
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引用次数: 0

Abstract

ABSTRACT Eelam Tamils have a growing connection with Indian Tamils through shared language, cultural heritage, history, and cosmology, despite not having a shared geography or homeland. This paper contributes to understanding this peculiar connection by focusing on the cultural impacts of Indian Tamil films on Eelam Tamil refugees resettled in Australia in the 1980s and 1990s. Building on the existing scholarship on pan-Tamil identity, memory, and film, the paper asks: how did consuming Tamil films affect Eelam Tamils’ cultural identities in their refugee resettlement? Transcultural memory is used as a framework to examine this interaction and the multi-focal identities and orientations among Eelam Tamils towards pan-Tamilness. Tamil refugees used film in a novel way to recall difficult memories of the pressures felt by a young war generation to sustain their cultural heritage while adjusting to the cultural norms of Australia. Consuming films become formative to reconstructing their cultural identities and enables the possibilities for exploring the cultural linkages and disconnections that constitute the heterogeneity of pan-Tamil subjectivities.
跨文化记忆与认同:重建泰米尔难民安置经历中的电影观众
摘要伊拉姆泰米尔人通过共同的语言、文化遗产、历史和宇宙观与印度泰米尔人建立了越来越紧密的联系,尽管他们没有共同的地理或家园。本文通过关注印度泰米尔电影对20世纪80年代和90年代重新安置在澳大利亚的伊拉姆泰米尔难民的文化影响,有助于理解这种特殊的联系。在现有关于泛泰米尔人身份、记忆和电影的研究基础上,该论文问道:消费泰米尔电影如何影响伊拉姆泰米尔人在难民安置中的文化身份?跨文化记忆被用作一个框架来考察这种互动以及伊拉姆泰米尔人对泛泰米尔人的多焦点身份和取向。泰米尔难民以一种新颖的方式使用电影来回忆年轻的战争一代在适应澳大利亚文化规范的同时维持其文化遗产所感受到的压力。消费电影成为重建其文化身份的形成因素,并使探索构成泛泰米尔主体异质性的文化联系和脱节成为可能。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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