"Knowing you will understand”: The Usage of Poetry as a Historical Source about the Experience of the First World War

IF 0.3 Q4 CULTURAL STUDIES
Julia Ribeiro S C Thomaz
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引用次数: 0

Abstract

For the last century, historians of the conflict have not systematically used the poetry of the First World War as a source. Whether reduced to a canon established a posteriori or excluded from literary periodisation altogether, this corpus needs to be considered from a transdisciplinary perspective and be used as a document about the experience of war itself, and not just about the conflict’s remembrance. The present article aims to present the French and British landscape of research about the poetry of the Great War and to establish a theoretical framework combining literary history, anthropology, literary criticism, and linguistics, which will allow for the usage of poetry as a historical source. Finally, the article will discuss two digital humanities projects which draw upon the Centenary to contribute to the establishment of a relation between History and Poetics in the context of the sources available to the cultural historian looking at how individuals internalised a culture shared by all those who experienced the war and at how the poetic gesture shaped the experience of war itself.
“知道你就会明白”:诗歌作为第一次世界大战经历的历史渊源
在上个世纪,冲突历史学家没有系统地使用第一次世界大战的诗歌作为来源。无论是被简化为后验的经典,还是被完全排除在文学分期之外,都需要从跨学科的角度来考虑这个语料库,并将其用作关于战争本身经历的文件,而不仅仅是关于冲突的记忆。本文旨在介绍法国和英国关于二战诗歌的研究现状,并建立一个结合文学史、人类学、文学批评和语言学的理论框架,以允许将诗歌作为历史来源。最后,本文将讨论两个数字人文项目,这两个项目利用百年纪念日,在文化历史学家可以获得的资料的背景下,有助于建立历史和诗学之间的关系,研究个人如何内化所有经历过战争的人共有的文化,以及诗歌姿态如何塑造战争本身的体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Alicantina de Estudios Ingleses
Revista Alicantina de Estudios Ingleses Arts and Humanities-Literature and Literary Theory
CiteScore
0.70
自引率
0.00%
发文量
14
审稿时长
28 weeks
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