Race et ressort comique: l’invention théâtrale de “Bamboula”

IF 0.1 3区文学 0 LITERATURE, ROMANCE

NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-03-01 DOI:10.1353/ncf.2022.0001

S. Chalaye

引用次数: 0

Abstract

Abstract:In the second half of the nineteenth century, dramatic literature racializes the comic argument of the “nègre.” Race becomes a comic device of vaudeville, as dramatic as it is musical, notably with Labiche, through the figure of the man who will soon be called “Bamboula” and who summons burlesque situations, eccentric settings, carnival disguises, humorous couplets, explosive dances and clownish fun. This figure is found in the music hall with Chocolat at the beginning of the twentieth century and will participate in all the new media formats of modernity, enough to trivialize racism and durably shape mentalities. (In French)

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种族与春天喜剧:“Bamboula”的戏剧发明

摘要:19世纪下半叶，戏剧文学将“n格雷”的喜剧论点种族化。种族成为杂耍的一种喜剧手段，既富有戏剧性，又具有音乐性，尤其是在拉比切身上，通过一个即将被称为“班布拉”的人的形象，他召唤出滑稽的情景、古怪的背景、狂欢节的伪装、幽默的对联诗、爆炸性的舞蹈和小丑般的乐趣。这个人物在二十世纪初与巧克力一起出现在音乐厅，并将参与所有现代的新媒体形式，足以将种族主义琐屑化，并持久地塑造心态。(法国)

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

NINETEENTH-CENTURY FRENCH STUDIES LITERATURE, ROMANCE-

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0.20

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0.00%

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期刊介绍： Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.