“The Famed Child of Menoeceus” (Eur. Phoen. 10)

IF 0.7 2区 历史学 0 CLASSICS
CLASSICAL PHILOLOGY Pub Date : 2022-04-01 DOI:10.1086/718644
Jennifer S. Starkey
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引用次数: 0

Abstract

At lines 10–13 of Euripides’ Phoenician Women, Jocasta interrupts her account of the descendants of Cadmus to introduce herself as “child of Menoeceus” (παῖς Μενοικέως). This is striking because elsewhere it is always Creon who is so described. Moreover, Jocasta is strangely insistent upon her father’s and brother’s importance to her own identity. This paper explores the implications of this passage for Jocasta’s character, demonstrating how the prologue anticipates and intersects with a number of themes central to the play: glory (κλέος), motherhood, relationships between siblings, and the interweaving of the Spartoi with the Labdacids.
著名的墨诺刻斯之子(欧洲)Phoen。10)
在欧里庇得斯的《腓尼基女人》第10-13行,乔卡斯塔打断了她对卡德摩斯后裔的描述,介绍自己是“梅诺克乌斯的孩子”(παῖςμεικίως)。这是惊人的,因为在其他地方,总是克里翁被如此描述。此外,乔卡斯塔奇怪地坚持她父亲和兄弟对她自己身份的重要性。本文探讨了这段话对乔卡斯塔角色的影响,展示了序言是如何预见并与剧中的一些核心主题相交的:荣耀(κλί。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
61
期刊介绍: Classical Philology has been an internationally respected journal for the study of the life, languages, and thought of the Ancient Greek and Roman world since 1906. CP covers a broad range of topics from a variety of interpretative points of view. CP welcomes both longer articles and short notes or discussions that make a significant contribution to the study of Greek and Roman antiquity. Any field of classical studies may be treated, separately or in relation to other disciplines, ancient or modern. In particular, we invite studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, and religion of ancient Greece and Rome. Innovative approaches and originality are encouraged as a necessary part of good scholarship.
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