Fact, fiction or Photoshop: Building awareness of visual manipulation through image editing software

Q1 Arts and Humanities
J. Swerzenski
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引用次数: 1

Abstract

Abstract Among the most difficult aspects of building visual literacy is creating awareness of manipulation, a task made continuously harder by the prevalence of ‘Photoshopped’ or digitally altered photos through fake news or our everyday usage of photo editing apps. So how are educators to build awareness of visual literacy when manipulation has become ubiquitous? I argue that understanding the credibility of visual content must go beyond viewing the image as identifying whether a photo has or has not been manipulated. Instead, it requires a technical comprehension of the process by which images are created, allowing educators to discern between visual lies and everyday image editing. To this end, I position Photoshop as a teaching tool, one that offers educators and students a backstage view at the mechanisms of image alteration technology. In building a technical and rhetorical understanding of three key Photoshop tools—airbrush, layers, and filters—I outline a guide for using these tools grounded in critical considerations of how their use affects visual meaning. From this understanding, educators can move beyond blanket criticism of visual manipulation and into the ethical nuances of photo editing that distinguish meme from misinformation.
事实、虚构或Photoshop:通过图像编辑软件建立视觉操纵的意识
培养视觉素养最困难的方面之一是建立对操纵的意识,由于“ps”或通过假新闻或我们日常使用的照片编辑应用程序进行数字修改的照片的流行,这项任务不断变得更加困难。那么,当操纵变得无处不在时,教育者该如何培养视觉素养的意识呢?我认为,要理解视觉内容的可信度,必须超越仅仅通过观看图像来识别照片是否被篡改。相反,它需要对图像创建过程的技术理解,使教育者能够区分视觉谎言和日常图像编辑。为此,我将Photoshop定位为一种教学工具,为教育工作者和学生提供图像修改技术机制的后台视图。在对三个关键的Photoshop工具——喷枪、图层和滤镜——建立技术和修辞上的理解时,我概述了一个使用这些工具的指南,这些工具的使用基于对它们的使用如何影响视觉意义的关键考虑。从这种理解出发,教育工作者可以超越对视觉操纵的笼统批评,进入照片编辑的道德细微差别,将模因与错误信息区分开来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Visual Literacy
Journal of Visual Literacy Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
0.00%
发文量
12
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