Composition School as a Subject of Scholarly Study

Olena Dmytriyeva
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Abstract

The article studies the phenomenon of a composition school that in the history of culture was perceived as an importantcultural phenomenon requiring a thorough study. For many centuries, the history of culture and art was associated with the artists’desire to define and affirm their creative achievements in society. Creative activities have always played a significant role in society.A composer never limits himself to pure creativity but persistently implements his spiritual ideals in life attracting adherents andfollowers. At the same time, the very position of the artist in his environment depended on the historical and political circumstancesthat dictated the attitude of certain circles of society to art in general and towards the work of an individual artist (poets, sculptors,composers etc.) in particular The aim of the article is to reveal the concept of a composition school as a normative-value system aimed at the formation and preservation of professional experience and to study its connection to a scientific school.
作文派作为学术研究的主体
文章研究了在文化史上被视为需要深入研究的重要文化现象的作文派现象。几个世纪以来,文化和艺术的历史与艺术家们定义和肯定他们在社会上的创造性成就的愿望联系在一起。创造性活动在社会中一直扮演着重要的角色。作曲家从不把自己局限于纯粹的创作,而是在生活中执着地实现自己的精神理想,吸引着追随者和追随者。与此同时,艺术家在他所处的环境中的地位取决于历史和政治环境,这些环境决定了某些社会阶层对艺术的总体态度,以及对个别艺术家(诗人、本文的目的是揭示作曲学派作为一种旨在形成和保存专业经验的规范价值体系的概念,并研究其与科学学派的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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