{"title":"Disposable Subjects: Staging Illegality and Racial Terror in the Borderlands","authors":"Armand Garcia","doi":"10.5325/CRITPHILRACE.7.1.0160","DOIUrl":null,"url":null,"abstract":"Abstract:This article draws on Gloria Anzaldúa’s philosophy to analyze Latina/o cultural forms as responses to the lawful violence that renders migrants and other minoritarian peoples as disposable subjects. The article turns to Latina/o playwrights and undocumented poets whose art forms, produced under the deportation regime, express a desire for freedom from terrorizing governance. Focusing on Lydia (2008), a play by Mexican American playwright Octavio Solis, and poetry by an undocumented artist, Yosimar Reyes, it links these representations of “illegal” migrants to understand how minoritarian aesthetic practices respond to racial terror and lawful violence. It argues that if we are to map the present beyond terrorizing forms of law, we must center our philosophical thought on “illegal” imaginaries of freedom, not on the cultural forms sanctioned by legality—the latter risk reproducing the logic of state-sponsored violence, whereas the former enact freedom as a practice of everyday life.","PeriodicalId":43337,"journal":{"name":"Critical Philosophy of Race","volume":"7 1","pages":"160 - 186"},"PeriodicalIF":1.3000,"publicationDate":"2019-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Philosophy of Race","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/CRITPHILRACE.7.1.0160","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ETHNIC STUDIES","Score":null,"Total":0}
引用次数: 2
Abstract
Abstract:This article draws on Gloria Anzaldúa’s philosophy to analyze Latina/o cultural forms as responses to the lawful violence that renders migrants and other minoritarian peoples as disposable subjects. The article turns to Latina/o playwrights and undocumented poets whose art forms, produced under the deportation regime, express a desire for freedom from terrorizing governance. Focusing on Lydia (2008), a play by Mexican American playwright Octavio Solis, and poetry by an undocumented artist, Yosimar Reyes, it links these representations of “illegal” migrants to understand how minoritarian aesthetic practices respond to racial terror and lawful violence. It argues that if we are to map the present beyond terrorizing forms of law, we must center our philosophical thought on “illegal” imaginaries of freedom, not on the cultural forms sanctioned by legality—the latter risk reproducing the logic of state-sponsored violence, whereas the former enact freedom as a practice of everyday life.
期刊介绍:
The critical philosophy of race consists in the philosophical examination of issues raised by the concept of race, the practices and mechanisms of racialization, and the persistence of various forms of racism across the world. Critical philosophy of race is a critical enterprise in three respects: it opposes racism in all its forms; it rejects the pseudosciences of old-fashioned biological racialism; and it denies that anti-racism and anti-racialism summarily eliminate race as a meaningful category of analysis. Critical philosophy of race is a philosophical enterprise because of its engagement with traditional philosophical questions and in its readiness to engage critically some of the traditional answers.