Tourism-Dependent Local Music Ecosystems under COVID-19

IF 0.2 0 MUSIC

Journal of World Popular Music Pub Date : 2022-06-22 DOI:10.1558/jwpm.23350

Iñigo Sánchez-Fuarros, M. Lacerda

引用次数: 1

Abstract

This article aims to examine the changing atmosphere of Lisbon’s fado live music scene during the COVID-19 crisis. In particular, it focuses on the effects of the lockdown measures and other public health restrictions on the casas de fado, a distinctive type of local institution where music, tourism and the quest for experiences of authenticity intersect. Drawing on in-person and remote interviews with venue owners, local association representatives, musicians and patrons, as well as on content analysis of local media sources and participant observation, this article argues that the pandemic has revealed the fragility of a local music ecosystem overly dependent on foreign tourism and institutional support for its survival. Moreover, it discusses how the changes brought about by the pandemic has impacted fado practice itself.

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新冠肺炎下依赖旅游的地方音乐生态系统

本文旨在研究新冠肺炎危机期间里斯本法多现场音乐场景的变化气氛。特别是，它关注的是封锁措施和其他公共卫生限制对法多之家的影响，这是一种独特的地方机构，音乐、旅游和寻求真实体验交织在一起。本文通过对场地所有者、当地协会代表、音乐家和赞助人的面对面和远程采访，以及对当地媒体来源的内容分析和参与者观察，认为疫情揭示了当地音乐生态系统的脆弱性，该生态系统过度依赖外国旅游业和机构支持。此外，它还讨论了疫情带来的变化如何影响法多实践本身。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of World Popular Music MUSIC-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.