Brahmsian Articulation

IF 0.4 2区 艺术学 N/A MUSIC
Ana Llorens
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引用次数: 1

Abstract

The analysis of the structural repercussions of musicians’ strategies has traditionally focused on their handling of timing and dynamics, not only because of the correlation found in performances between hierarchical phrase structure and coordinated decreases in both parameters—usually referred to as phrase arching (".fn_cite($gabrielsson_1988).") or phrase-final lengthening (".fn_cite($todd_1985).
勃拉姆斯的发音
对音乐家策略的结构性影响的分析传统上集中在他们对时间和动态的处理上,这不仅是因为在分级短语结构和两个参数的协调下降之间的性能中发现了相关性——通常被称为短语拱形(“.fn_site($gabrielsson_1988)”)或短语最终延长(“.fn-site($todd_1985)”。
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来源期刊
CiteScore
1.70
自引率
25.00%
发文量
26
审稿时长
42 weeks
期刊介绍: Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.
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