Arte abstracto en la década de 1950 en Bogotá: la mirada de los críticos a los artistas y los artistas como críticos

Abstract

. Objective/Context: The 1950s was a critical decade regarding discussions about the relevance of abstraction as a visual language in the arts in Colombia. The encounters and disagreements in this regard between artists, critics, and the general public are a testimony of broader aspects, such as the search for a language of its own, the need to internationalize national art, the importance of educating about and through art