Could Deep Fakes Uncover the Deeper Truth of an Ontology of the Networked Images?

Q3 Arts and Humanities
Yves Citton
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引用次数: 1

Abstract

CAN ONE RESPOND TO A QUESTIONNAIRE WITH QUESTIONS? In the questionnaire he sent us for a special issue of The Nordic Journal of Aesthetics, Jacob Lund asks: “To which extent do the advent of operative images and machine vision and the increasing number of images that become networked change the ontology of the image?” If we agree with the statement that we can no longer “think of images as relatively individualized or delimited phenomena,” but that, increasingly, “images seem to gain meaning and significance through their relationships with other images, and from being networked,” what philosophical, political and aesthetic consequences should we draw from this (new?) state of affair? While genuinely attempting to address such issues, I will rather do so by formulating further questions than by bringing assertive answers.
深度造假能否揭示网络图像本体论的深层真相?
一个人可以用问题来回答问卷吗?在他发给我们的《北欧美学杂志》特刊的调查问卷中,Jacob Lund问道:“操作图像和机器视觉的出现以及越来越多的网络化图像在多大程度上改变了图像的本体?”如果我们同意这样一种说法,即我们不能再“将图像视为相对个性化或有界限的现象”,而是越来越多地认为,“图像似乎通过与其他图像的关系以及通过网络化而获得意义和重要性”,那么我们应该从这种(新的?)事态中得出什么哲学、政治和美学后果?当我真诚地试图解决这些问题时,我宁愿提出进一步的问题,而不是给出武断的答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Nordic Journal of Aesthetics
Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
21
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