{"title":"A Short History of Feather Fans' Spread and Cultural Connotations: From Bronze Age Africa East to China and West to Europe","authors":"K. Carr","doi":"10.1353/jwh.2022.0000","DOIUrl":null,"url":null,"abstract":"Abstract:As archaeological evidence shows, the earliest feather hand fans were not from China, but spread north from Sudan to New Kingdom Egypt. They reached Greece in the 400s b.c. and Italy a century later. By about a. d. 200, feather fans spread eastward from Africa to China along Indian Ocean trade routes. This spread of feather fans across Afro-Eurasia was accompanied by shifting cultural associations. Early African and Southwest Asian ostrich and peacock feather fans seem to have symbolized rebirth. As imported luxury objects in Greece and Rome (as in the Americas), fans signified wealth and sophistication. But at both ends of the Silk Road, in China and Europe, feather fans also stood in for the suspect foreign immigrant. In Renaissance Europe, fans still represented resurrection and sophistication, but after the Reformation, fans lost their connection to rebirth, and instead developed Orientalist, feminizing connotations that supported powerful colonial and commercial interests.","PeriodicalId":17466,"journal":{"name":"Journal of World History","volume":"33 1","pages":"1 - 36"},"PeriodicalIF":0.7000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jwh.2022.0000","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:As archaeological evidence shows, the earliest feather hand fans were not from China, but spread north from Sudan to New Kingdom Egypt. They reached Greece in the 400s b.c. and Italy a century later. By about a. d. 200, feather fans spread eastward from Africa to China along Indian Ocean trade routes. This spread of feather fans across Afro-Eurasia was accompanied by shifting cultural associations. Early African and Southwest Asian ostrich and peacock feather fans seem to have symbolized rebirth. As imported luxury objects in Greece and Rome (as in the Americas), fans signified wealth and sophistication. But at both ends of the Silk Road, in China and Europe, feather fans also stood in for the suspect foreign immigrant. In Renaissance Europe, fans still represented resurrection and sophistication, but after the Reformation, fans lost their connection to rebirth, and instead developed Orientalist, feminizing connotations that supported powerful colonial and commercial interests.
期刊介绍:
Devoted to historical analysis from a global point of view, the Journal of World History features a range of comparative and cross-cultural scholarship and encourages research on forces that work their influences across cultures and civilizations. Themes examined include large-scale population movements and economic fluctuations; cross-cultural transfers of technology; the spread of infectious diseases; long-distance trade; and the spread of religious faiths, ideas, and ideals. Individual subscription is by membership in the World History Association.