Carl Julius Senff (1804–1832) – ein Kurzes Künstlerleben als Architekt, Zeichner und Grafiker

IF 0.1 0 ART
G. Vogel
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Abstract

Carl Julius Senff was a talented artist with wide-ranging knowledge of art and architecture, who first received art lessons from his father Carl August Senff in Tartu. From 1823 to 1827, Carl Julius Senff studied philosophy at the University of Tartu and illustrated several publications while still a student. For example, in 1825 he published a textbook on perspective called Perspective fur Landschaftsmaler zum  Selbststudium . Although Carl Julius Senff’s life was cut short, he was still able to travel extensively. In 1829, he travelled to Jena for three years where he acquired a doctoral degree in philosophy. His earliest drawings also date from this period and, based on them, we can also partially reconstruct the route of his travels. From Jena, he travelled to Prague, Vienna and Munich. In 1831, he travelled to Italy where he lived in Rome. The young artist and scholar was destined to become the new professor of architecture at the University of Tartu but, unfortunately, Carl Julius Senff fell ill during his last trip and died in Milan. The article is based to a great degree on unpublished archival documents as well as the personal correspondence of Carl Julius Senff and his father Carl August Senff.
卡尔·朱利叶斯·森夫(1804-1832)——一位短暂的建筑师、绘图员和平面艺术家
卡尔·朱利叶斯·塞夫是一位才华横溢的艺术家,拥有广泛的艺术和建筑知识,他最初在塔尔图从他的父亲卡尔·奥古斯特·塞夫那里接受了艺术课。从1823年到1827年,卡尔·朱利叶斯·塞夫在塔尔图大学学习哲学,并在学生时代为几本出版物画了插图。例如,1825年,他出版了一本关于透视的教科书,名为《透视Landschaftsmaler zum Selbststudium》。虽然卡尔·朱利叶斯·塞夫的生命被缩短了,但他仍然能够广泛地旅行。1829年,他去耶拿旅行了三年,在那里他获得了哲学博士学位。他最早的画也是在这个时期画的,根据这些画,我们可以部分地重建他的旅行路线。从耶拿出发,他去了布拉格、维也纳和慕尼黑。1831年,他去意大利旅行,住在罗马。这位年轻的艺术家和学者注定要成为塔尔图大学的新任建筑教授,但不幸的是,卡尔·朱利叶斯·塞夫在最后一次旅行中病倒了,在米兰去世。这篇文章在很大程度上是基于未发表的档案文件,以及卡尔·朱利叶斯·塞夫和他的父亲卡尔·奥古斯特·塞夫的私人信件。
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来源期刊
CiteScore
0.20
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0
期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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