Bach in Italy, 22–28 November 2020

IF 0.1 4区 艺术学 0 MUSIC
BACH Pub Date : 2022-01-01 DOI:10.22513/BACH.52.1.0072
C. Bertoglio
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引用次数: 0

Abstract

T he international conference “Bach and Italy” took place in a digital format from 22 to 28 November 2020. It was coorganized by the Association JSBach.it, founded by Maria Borghesi and myself, by the Conservatory “G. Verdi” of Turin, and by the Istituto per i Beni Musicali in Piemonte, a research institution for the promotion of the musical heritage of Piedmont. The conference committee included Kenneth L. Hamilton (Cardiff University), Michael Heinemann (Hochschule für Musik Carl Maria von Weber, Dresden), Stefano Leoni (Conservatory “G. Verdi” of Turin), Michael Maul (Bach Festival and Bach-Archiv Leipzig), Ruth Tatlow (Uppsala University and Bach Network), and Yo Tomita (Queen’s University Belfast and Bach Network), along with Maria Borghesi and myself, representing JSBach.it. The Covid-19 situation led us to consider various options for restructuring an event that had originally been planned in a traditional form. After much pondering, we decided to broadcast the conference on our social media channels, to make it available at no charge, and to maintain an archive of all videos, which will constitute a repository of research, knowledge, and music for all those interested in Bach. Moreover, we decided to extend the conference’s duration from the initial three days to an entire week, in order for the sessions and other events to be more temporally distanced, and thus to allow the audience more time to enjoy the rich program. The result exceeded our expectations in many respects. The artistic and scholarly level of the presentations, roundtables, keynotes, and concerts was very high. Moreover, following the presentations in each session, debate was encouraged by the chairs, and it involved both the session’s speakers (who were virtually gathered in a “room” provided by a videoconference platform) and the audience following the session on social media. Listeners were invited to interact by writing their questions and comments in the social media chat, and this resulted in long and fruitful discussions, frequently longer than one hour. Thus, one of the most important aspects of scholarly gatherings, that is, the discussion and interaction, was not sacrificed due to the need for social distancing. Another unexpected result was that speakers, audience, and BACH: Journal of the Riemenschneider Bach Institute, Vol. 52, No. 1, 2021 Copyright © 2021 Baldwin Wallace University, Berea, OH
巴赫在意大利,2020年11月22日至28日
“巴赫与意大利”国际会议于2020年11月22日至28日以数字形式举行。它由Maria Borghesi和我自己创立的JSBach.It协会、都灵“G.Verdi”音乐学院和皮埃蒙特贝尼音乐学院共同组织,后者是一个促进皮埃蒙特音乐遗产的研究机构。会议委员会成员包括Kenneth L.Hamilton(卡迪夫大学)、Michael Heinemann(德累斯顿Carl Maria von Weber音乐学院)、Stefano Leoni(都灵“G.Verdi”音乐学院),Michael Maul(巴赫音乐节和莱比锡巴赫档案馆),Ruth Tatlow(乌普萨拉大学和巴赫网络)和Yo Tomita(贝尔法斯特女王大学和巴赫网),以及代表JSBach.it的Maria Borghesi和我本人。新冠肺炎的形势促使我们考虑各种选择,以重组最初以传统形式计划的活动。经过深思熟虑,我们决定在社交媒体频道上播放会议,免费提供会议,并保存所有视频的档案,它将为所有对巴赫感兴趣的人提供一个研究、知识和音乐的宝库。此外,我们决定将会议的持续时间从最初的三天延长到整整一周,以便会议和其他活动在时间上保持更大的距离,从而让观众有更多的时间享受丰富的节目。结果在许多方面超出了我们的预期。演讲、圆桌会议、主题演讲和音乐会的艺术和学术水平都很高。此外,在每届会议的发言之后,主席们都鼓励进行辩论,辩论既有会议的发言人(他们实际上聚集在视频会议平台提供的“房间”里),也有在社交媒体上关注会议的观众。听众被邀请在社交媒体聊天中写下他们的问题和评论进行互动,这导致了漫长而富有成效的讨论,通常超过一个小时。因此,学术聚会最重要的方面之一,即讨论和互动,并没有因为保持社交距离的需要而牺牲。另一个意想不到的结果是,演讲者、观众和巴赫:《里门施奈德巴赫研究所杂志》,第52卷,2021年第1期版权所有©2021鲍德温·华莱士大学,俄亥俄州贝利亚
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
BACH
BACH MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
10
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