“Feeling-Seeing” in Transparent

IF 1 4区社会学 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY

Glq-A Journal of Lesbian and Gay Studies Pub Date : 2021-04-01 DOI:10.1215/10642684-8871663

AJ Ripley

引用次数: 1

Abstract

This article explores how Jill Soloway uses mirror imagery in the series Transparent to facilitate their version of the female gaze, particularly the tenet of feeling-seeing. By doing so, this article aims to assist ongoing efforts in both transgender studies and media studies research to stretch beyond the in/visibility debate surrounding transgender representation in popular media. It proposes that Soloway’s creative process designates open, imaginative space for audiences (both cisgender and transgender alike) to witness how gender comes to matter for Maura, both in the sense of materializing in bodily form and in a manner of meaning, and how gender also comes to re-matter for her, but perhaps also for audiences watching her transformation.

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透明中的“感觉看到”

这篇文章探讨了Jill Soloway如何在《透明》系列中使用镜像来促进他们对女性凝视的理解，特别是感觉视觉的原则。通过这样做，本文旨在帮助跨性别研究和媒体研究中正在进行的努力，超越围绕跨性别在大众媒体中的代表性的公开/可见性辩论。它提出，Soloway的创作过程为观众（无论是顺性别者还是跨性别者）指定了一个开放的、富有想象力的空间，让他们见证性别是如何对Maura产生影响的，无论是在身体形式上还是在某种意义上，以及性别对她来说是如何变得重要的，但也许对观看她的转变的观众来说也是如此。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Glq-A Journal of Lesbian and Gay Studies SOCIAL SCIENCES, INTERDISCIPLINARY-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Providing a much-needed forum for interdisciplinary discussion, GLQ publishes scholarship, criticism, and commentary in areas as diverse as law, science studies, religion, political science, and literary studies. Its aim is to offer queer perspectives on all issues touching on sex and sexuality. In an effort to achieve the widest possible historical, geographic, and cultural scope, GLQ particularly seeks out new research into historical periods before the twentieth century, into non-Anglophone cultures, and into the experience of those who have been marginalized by race, ethnicity, age, social class, body morphology, or sexual practice.