Teatro de masas en la Rusia posrevolucionaria: la proto-performance en los contextos urbanos y su influencia en la construcción de las identidades colectivas

IF 0.2 0 ART
Anna Borisova Fedotova, I. Martín
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引用次数: 0

Abstract

After the October Revolution, Russian society faced the enormous challenge of building a socialist culture in a country with deep-rooted religious and monarchical traditions and a devastated economy. To reach this new cultural horizon and thus cement the political transformations, it was necessary to influence the construction of collective identities - bearers of renewed citizen awareness. In this article we will delve into the way in which mass theatre contributed to achieving this objective not only due to its nature as a rite linked to the heritage of the Orthodox Church, but also through new formulas of inhabiting and interacting with space public. Both the transformation of the meaning conferred on the place and the establishment of a renewed bond between the public and the space was emphasized through symbolic identification and collective action-transformation.
革命后俄罗斯的大众剧场:城市背景下的原始表演及其对集体身份建构的影响
十月革命后,俄罗斯社会面临着在一个宗教和君主传统根深蒂固、经济遭受重创的国家建设社会主义文化的巨大挑战。为了达到这一新的文化视野,从而巩固政治变革,有必要影响集体身份的构建——公民意识的更新。在这篇文章中,我们将深入探讨大众戏剧如何为实现这一目标做出贡献,这不仅是因为它作为一种与东正教传统相关的仪式,而且是通过居住和与空间公众互动的新模式。通过象征性的认同和集体行动的转变,既强调了赋予场所的意义的转变,也强调了在公众和空间之间建立新的纽带。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
27
审稿时长
30 weeks
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