Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll

IF 0.5 Q3 CULTURAL STUDIES
R. Valijärvi
{"title":"Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll","authors":"R. Valijärvi","doi":"10.1386/mms_00066_1","DOIUrl":null,"url":null,"abstract":"This article explores the lyrics of the Estonian folk metal band Metsatöll in relation to collective national and cultural trauma focusing on the following themes: the fight against foreign invaders and overlords, land, nature, wolves, kin and family, as well as ancient beliefs.\n Cultural trauma can be defined as the collective experience of horrendous and traumatic events that leave marks on a group’s consciousness. This article suggests that Metsatöll’s lyrics are a means of processing cultural trauma that has been caused by years of occupation and\n oppression, the end of singing nationalism of the 1980s and changing values brought on by the fall of the Soviet Union and the subsequent globalization, capitalism and materialism. This trauma is processed through neo-pagan lyrics and the aesthetics of folk metal. Inspiration for the lyrics\n can be found in maausk (‘earth faith’), mediaeval chronicles, the national narrative of the great battle, Estonian mythology and folk poetry. Christianity and foreign influences are rejected by resorting to authentically Estonian ancient practices. The lyrics are true to\n the genre of folk metal in general, and metal music is seen in this study as a fitting vehicle for processing cultural trauma. The study also contains a brief analysis of white masculinity in crisis, as well as a critical discussion on ethno-centric nationalism in a postcolonial context.","PeriodicalId":36868,"journal":{"name":"Metal Music Studies","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Metal Music Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/mms_00066_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0

Abstract

This article explores the lyrics of the Estonian folk metal band Metsatöll in relation to collective national and cultural trauma focusing on the following themes: the fight against foreign invaders and overlords, land, nature, wolves, kin and family, as well as ancient beliefs. Cultural trauma can be defined as the collective experience of horrendous and traumatic events that leave marks on a group’s consciousness. This article suggests that Metsatöll’s lyrics are a means of processing cultural trauma that has been caused by years of occupation and oppression, the end of singing nationalism of the 1980s and changing values brought on by the fall of the Soviet Union and the subsequent globalization, capitalism and materialism. This trauma is processed through neo-pagan lyrics and the aesthetics of folk metal. Inspiration for the lyrics can be found in maausk (‘earth faith’), mediaeval chronicles, the national narrative of the great battle, Estonian mythology and folk poetry. Christianity and foreign influences are rejected by resorting to authentically Estonian ancient practices. The lyrics are true to the genre of folk metal in general, and metal music is seen in this study as a fitting vehicle for processing cultural trauma. The study also contains a brief analysis of white masculinity in crisis, as well as a critical discussion on ethno-centric nationalism in a postcolonial context.
爱沙尼亚民间金属乐队Metsatöll歌词中的文化创伤
本文探讨爱沙尼亚民间金属乐队Metsatöll的歌词与集体国家和文化创伤的关系,重点关注以下主题:与外国侵略者和统治者的斗争,土地,自然,狼,亲属和家庭,以及古老的信仰。文化创伤可以定义为在一个群体的意识中留下印记的可怕和创伤事件的集体经历。本文认为Metsatöll的歌词是一种处理文化创伤的手段,这种文化创伤是由多年的占领和压迫、20世纪80年代歌唱民族主义的终结以及苏联解体和随后的全球化、资本主义和物质主义带来的价值观变化所造成的。这种创伤是通过新异教歌词和民间金属美学来处理的。歌词的灵感可以在maausk(“地球信仰”)、中世纪编年史、伟大战役的国家叙事、爱沙尼亚神话和民间诗歌中找到。通过诉诸真正的爱沙尼亚古老习俗来拒绝基督教和外国影响。歌词是真实的民间金属一般类型,和金属音乐被视为一个合适的工具,在本研究中处理文化创伤。该研究还包括对危机中的白人男子气概的简要分析,以及对后殖民背景下以种族为中心的民族主义的批判性讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Metal Music Studies
Metal Music Studies Arts and Humanities-Music
CiteScore
1.20
自引率
0.00%
发文量
19
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信