Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements

IF 1.3 2区 心理学 0 MUSIC
Adéla Becková, V. Rudolfová, J. Horáček, T. Nekovářová
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引用次数: 0

Abstract

Interval timing plays an essential role in various types of behavior including perception and production of music. However, subjectively perceived intervals may substantially differ from their objective durations. One of the phenomena, the filled duration illusion (FDI), is well described in the literature; however, there are still many questions to address concerning mechanisms behind this phenomenon. To further unravel the FDI, we asked 61 healthy adults to reproduce the duration of various acoustic stimuli (from 2 to 3 seconds). We used empty intervals (marked by two short tones) and filled intervals: a continuous tone or rhythmical tone sequences in legato or staccato. We demonstrated that the reproduction of empty intervals was shorter than reproduction of all filled intervals, whereas the reproduction of rhythmic intervals was the longest. Therefore, we clearly demonstrated and distinguished both types of the FDI—the sustained sound illusion and the divided time illusion—and documented their test-retest stability in two subsequent measurements. Moreover, we confirmed the effect of tone pitch on the reproduction—higher pitch tones were judged as longer. By testing all the mentioned phenomena in repeated measurements, we demonstrated the stability of the illusions and prepared the ground for an investigation of more complex musical stimuli.
在重复测量中揭示充满持续时间错觉及其稳定性
音程计时在各种类型的行为中起着至关重要的作用,包括音乐的感知和生产。然而,主观感知的间隔可能与客观的持续时间有很大的不同。其中一种现象是充满持续时间错觉(FDI),在文献中有很好的描述;然而,关于这一现象背后的机制,仍有许多问题需要解决。为了进一步揭示FDI,我们要求61名健康成年人重现各种声音刺激的持续时间(从2秒到3秒)。我们使用空音程(由两个短音标记)和填充音程:连奏或断奏中的连续音或有节奏的音序列。结果表明,空音程的复制时间比全满音程的复制时间短,而节奏音程的复制时间最长。因此,我们清楚地展示和区分了两种类型的fdi——持续声错觉和分裂时间错觉——并在随后的两次测量中记录了它们的测试-重测试稳定性。此外,我们证实了音调对繁殖的影响-音调越高的音调被认为越长。通过在重复测量中测试所有提到的现象,我们证明了错觉的稳定性,并为研究更复杂的音乐刺激奠定了基础。
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来源期刊
Music Perception
Music Perception Multiple-
CiteScore
3.70
自引率
4.30%
发文量
22
期刊介绍: Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory
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