China, the Abode of Arts and Crafts: Emergence and Diffusion of a Persian Saying on China in Mongol Eurasia

IF 0.1 0 ASIAN STUDIES
Francesco Calzolaio
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引用次数: 1

Abstract

Between 1250 and 1450 a saying about China spread across Eurasia, from Castile to the Indian subcontinent. It is the proverb known as the “eyes of the world”, according to which when it comes to arts and crafts, the Chinese see with two eyes, the Europeans with one, and other nations are blind. This metaphor was widely used by pre-modern Eurasian intellectuals to synthesize the high degree of sophistication and splendour reached by Chinese culture. It has been suggested that the adage originated either in the Byzantine world or in Mongol China, whence it spread to central Asia, the Indian subcontinent, and Europe. A study of Persian sources, however, seems to invalidate this hypothesis, suggesting a Persian origin. Such Eurasian diffusion of a Persian saying about China illustrates how easily literary images, tropes, and lore could spread across the Mongol empire and how Asian geographic and ethnographic discourses could contribute to the new representation of the world which emerged in the Mongol period. It also advocates for the inclusivity of Persian literary imagery, at times so influent as to trespass the borders both of the Persianate and of the Islamicate world.
中国,工艺美术之乡:波斯关于中国的说法在蒙古欧亚大陆的出现与传播
1250年至1450年间,一种关于中国的说法传遍了欧亚大陆,从卡斯蒂利亚到印度次大陆。这是一句被称为“世界之眼”的谚语,根据这句谚语,当谈到工艺美术时,中国人用两只眼睛看,欧洲人用一只眼睛看,其他国家都是盲人。这个比喻被前现代欧亚知识分子广泛使用,以综合中国文化的高度成熟和辉煌。有人认为,这句格言起源于拜占庭世界或蒙古中国,并从那里传播到中亚、印度次大陆和欧洲。然而,对波斯来源的研究似乎推翻了这一假设,表明波斯起源。波斯关于中国的说法在欧亚大陆的传播说明了文学形象、比喻和传说是多么容易在蒙古帝国传播,以及亚洲的地理和民族志话语如何有助于蒙古时期出现的世界的新表现。它还提倡波斯文学意象的包容性,有时甚至影响到波斯人和伊斯兰世界的边界。
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Ming Qing Yanjiu
Ming Qing Yanjiu Multiple-
CiteScore
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